Perez Balcony at Buenos Aires IV painting
Perez balcony V painting
Perez bartender painting
Perez bbuenosairesv iii painting
tobacco, and had also brought a few corn-cobs to make pipes with. But none of the pirates smoked or "chewed" but himself. The Black Avenger of the Spanish Main said it would never do to start without some fire. That was a wise thought; matches were hardly known there in that day. They saw a fire smouldering upon a great raft a hundred yards above, and they went stealthily thither and helped themselves to a chunk. They made an imposing adventure of it, saying, "Hist!" every now and then, and suddenly halting with finger on lip; moving with hands on
-137-imaginary dagger-hilts; and giving orders in dismal whispers that if "the foe" stirred, to "let him have it to the hilt," because "dead men tell no tales." They knew well enough that the raftsmen were all down at the village laying in stores or having a spree, but still that was no excuse for their conducting this thing in an unpiratical way.
They shoved off, presently, Tom in command, Huck at the after oar and Joe at the forward. Tom stood amidships, gloomy-browed, and with folded arms, and gave his orders in a low, stern whisper:
"Luff, and bring her to the wind!"
Friday, May 30, 2008
Perez balatbuaurenearwhitew painting
Perez balatbuaurenearwhitew painting
Perez Balcony at Buenos Aires I painting
Perez Balcony at Buenos Aires II painting
Perez Balcony at Buenos Aires III painting
"Tom Sawyer, the Black Avenger of the Spanish Main. Name your names."
"Huck Finn the Red-Handed, and Joe Harper the Terror of the Seas." Tom had furnished these titles, from his favorite literature.
"'Tis well. Give the countersign."
Two hoarse whispers delivered the same awful word simultaneously to the brooding night:
"BLOOD!"
Then Tom tumbled his ham over the bluff and let himself down after it, tearing both skin and clothes to some extent in the effort. There was an easy, comfortable path along the shore under the bluff, but it lacked the advantages of difficulty and danger so valued by a pirate.
The Terror of the Seas had brought a side of bacon, and had about worn himself out with getting it there. Finn the Red-Handed had stolen a skillet and a quantity of half-cured leaf
Perez Balcony at Buenos Aires I painting
Perez Balcony at Buenos Aires II painting
Perez Balcony at Buenos Aires III painting
"Tom Sawyer, the Black Avenger of the Spanish Main. Name your names."
"Huck Finn the Red-Handed, and Joe Harper the Terror of the Seas." Tom had furnished these titles, from his favorite literature.
"'Tis well. Give the countersign."
Two hoarse whispers delivered the same awful word simultaneously to the brooding night:
"BLOOD!"
Then Tom tumbled his ham over the bluff and let himself down after it, tearing both skin and clothes to some extent in the effort. There was an easy, comfortable path along the shore under the bluff, but it lacked the advantages of difficulty and danger so valued by a pirate.
The Terror of the Seas had brought a side of bacon, and had about worn himself out with getting it there. Finn the Red-Handed had stolen a skillet and a quantity of half-cured leaf
Perez baatbuenosairesvi painting
Perez baatbuenosairesvi painting
Perez baatbuenosairesvii painting
Perez BaladasBuenosAires painting
Perez balatbuaireviiblanca painting
They presently separated to meet at a lonely spot on the river-bank two miles above the village at the favorite hour -- which was midnight. There was a small log raft there which they meant to capture. Each would bring hooks and lines, and such provision as he could steal in the most dark and mysterious way -- as became outlaws. And before the afternoon was done, they had all managed to enjoy the sweet glory of spreading the fact that pretty soon the town would "hear something." All who got this vague hint were cautioned to "be mum and wait."
About midnight Tom arrived with a boiled ham and a few trifles, and stopped in a dense undergrowth on a small bluff overlooking the meeting-place. It was starlight, and very still. The mighty river lay like an ocean at rest. Tom listened a moment, but no sound disturbed the quiet. Then he gave a low, distinct whistle. It was answered from under the bluff. Tom whistled twice more; these signals were answered in the same way. Then a guarded voice said:
"Who goes there?"
Perez baatbuenosairesvii painting
Perez BaladasBuenosAires painting
Perez balatbuaireviiblanca painting
They presently separated to meet at a lonely spot on the river-bank two miles above the village at the favorite hour -- which was midnight. There was a small log raft there which they meant to capture. Each would bring hooks and lines, and such provision as he could steal in the most dark and mysterious way -- as became outlaws. And before the afternoon was done, they had all managed to enjoy the sweet glory of spreading the fact that pretty soon the town would "hear something." All who got this vague hint were cautioned to "be mum and wait."
About midnight Tom arrived with a boiled ham and a few trifles, and stopped in a dense undergrowth on a small bluff overlooking the meeting-place. It was starlight, and very still. The mighty river lay like an ocean at rest. Tom listened a moment, but no sound disturbed the quiet. Then he gave a low, distinct whistle. It was answered from under the bluff. Tom whistled twice more; these signals were answered in the same way. Then a guarded voice said:
"Who goes there?"
famous painting
famous painting
Just at this point he met his soul's sworn comrade, Joe Harper -- hard-eyed, and with evidently a great and dismal purpose in his heart. Plainly here were
-134-"two souls with but a single thought." Tom, wiping his eyes with his sleeve, began to blubber out something about a resolution to escape from hard usage and lack of sympathy at home by roaming abroad into the great world never to return; and ended by hoping that Joe would not forget him.
But it transpired that this was a request which Joe had just been going to make of Tom, and had come to hunt him up for that purpose. His mother had whipped him for drinking some cream which he had never tasted and knew nothing about; it was plain that she was tired of him and wished him to go; if she felt that way, there was nothing for him to do but succumb; he hoped she would be happy, and never regret having driven her poor boy out into the unfeeling world to suffer and die.
Just at this point he met his soul's sworn comrade, Joe Harper -- hard-eyed, and with evidently a great and dismal purpose in his heart. Plainly here were
-134-"two souls with but a single thought." Tom, wiping his eyes with his sleeve, began to blubber out something about a resolution to escape from hard usage and lack of sympathy at home by roaming abroad into the great world never to return; and ended by hoping that Joe would not forget him.
But it transpired that this was a request which Joe had just been going to make of Tom, and had come to hunt him up for that purpose. His mother had whipped him for drinking some cream which he had never tasted and knew nothing about; it was plain that she was tired of him and wished him to go; if she felt that way, there was nothing for him to do but succumb; he hoped she would be happy, and never regret having driven her poor boy out into the unfeeling world to suffer and die.
Leon Bazile Perrault paintings
Leon Bazile Perrault paintings
Jean-Leon Gerome paintings
Lorenzo Lotto paintings
Louis Aston Knight paintings
"Now you've asked for it, and I'll give it to you, because there ain't anything mean about me; but if you find you don't like it, you mustn't blame anybody but your own self."
Peter was agreeable. So Tom pried his mouth open and poured down the Pain-killer. Peter sprang a couple of yards in the air, and then delivered a war-whoop and set off round and round the room, banging against furniture, upsetting flower-pots, and making general havoc. Next he rose on his hind feet and pranced around, in a frenzy of enjoyment, with his head over his shoulder and his voice proclaiming his unappeasable happiness. Then he went tearing around the house again spreading chaos and destruction in his path. Aunt Polly entered in time to see him throw a few double summersets, deliver a final mighty hurrah, and sail through the open
-130-window, carrying the rest of the flower-pots with him. The old lady stood petrified with astonishment, peering over her glasses; Tom lay on the floor expiring with laughter.
"Tom, what on earth ails that cat?"
"I don't know, aunt," gasped the boy.
Jean-Leon Gerome paintings
Lorenzo Lotto paintings
Louis Aston Knight paintings
"Now you've asked for it, and I'll give it to you, because there ain't anything mean about me; but if you find you don't like it, you mustn't blame anybody but your own self."
Peter was agreeable. So Tom pried his mouth open and poured down the Pain-killer. Peter sprang a couple of yards in the air, and then delivered a war-whoop and set off round and round the room, banging against furniture, upsetting flower-pots, and making general havoc. Next he rose on his hind feet and pranced around, in a frenzy of enjoyment, with his head over his shoulder and his voice proclaiming his unappeasable happiness. Then he went tearing around the house again spreading chaos and destruction in his path. Aunt Polly entered in time to see him throw a few double summersets, deliver a final mighty hurrah, and sail through the open
-130-window, carrying the rest of the flower-pots with him. The old lady stood petrified with astonishment, peering over her glasses; Tom lay on the floor expiring with laughter.
"Tom, what on earth ails that cat?"
"I don't know, aunt," gasped the boy.
Thursday, May 29, 2008
Church Twilight among the Mountains painting
Church Twilight among the Mountains painting
Andreotti Flirtation painting
Manet Portrait of Emilie Ambre in the role of Carmen painting
Manet Spring painting
after the first attempt, which resulted in a tumble and the least lovely of the giant's treasures, if I remember rightly. But the `up again and take another' spirit was as strong in Jo as in Jack, so she scrambled up on the shady side this time and got more booty, but nearly left behind her what was far more precious than the moneybags.
She took to writing sensation stories, for in those dark ages, even all-perfect America read rubbish. She told no one, but concocted a `thrilling tale', and boldly carried it herself to Mr. Dashwood, editor of the Weekly Volcano. She had never read Sartor Resartus, but she had a womanly instinct that clothes possess an influence more powerful over many than the worth of character or the magic of manners. So she dressed herself in her best, and trying to persuade herself that she was neither excited nor nervous, bravely climbed two pairs of dark and dirty stairs to find herself in a disorderly room, a cloud of cigar smoke, and the presence of three gentlemen, sitting with their heels rather higher than their hats, which articles of dress none of them took the trouble to remove on her appearance. somewhat daunted by this reception, Jo hesitated on the threshold, murmuring in much embarrassment . . .
"Excuse me, I was looking for the Weekly Volcano office. I wished to see Mr. Dashwood."
Andreotti Flirtation painting
Manet Portrait of Emilie Ambre in the role of Carmen painting
Manet Spring painting
after the first attempt, which resulted in a tumble and the least lovely of the giant's treasures, if I remember rightly. But the `up again and take another' spirit was as strong in Jo as in Jack, so she scrambled up on the shady side this time and got more booty, but nearly left behind her what was far more precious than the moneybags.
She took to writing sensation stories, for in those dark ages, even all-perfect America read rubbish. She told no one, but concocted a `thrilling tale', and boldly carried it herself to Mr. Dashwood, editor of the Weekly Volcano. She had never read Sartor Resartus, but she had a womanly instinct that clothes possess an influence more powerful over many than the worth of character or the magic of manners. So she dressed herself in her best, and trying to persuade herself that she was neither excited nor nervous, bravely climbed two pairs of dark and dirty stairs to find herself in a disorderly room, a cloud of cigar smoke, and the presence of three gentlemen, sitting with their heels rather higher than their hats, which articles of dress none of them took the trouble to remove on her appearance. somewhat daunted by this reception, Jo hesitated on the threshold, murmuring in much embarrassment . . .
"Excuse me, I was looking for the Weekly Volcano office. I wished to see Mr. Dashwood."
Angelico Saint Cosmas and Saint Damian Salvaged painting
Angelico Saint Cosmas and Saint Damian Salvaged painting
Degas Dancers in Pink painting
Degas Rehearsal on the Stage painting
Church New England Landscape painting
pills in jelly. I like it very much, and he doesn't seem tired of it yet, which is very good of him, isn't it? I mean to give him something on Christmas, for I dare not offer money. Tell me something nice, Marmee.
I'm glad Laurie seems so happy and busy, that he has given up smoking and lets his hair grow. You see Beth manages him better than I did. I'm not jealous, dear, do your best, only don't make a saint of him. I'm afraid I couldn't like him without a spice of human naughtiness. Read him bits of my letters. I haven't time to write much, and that will do just as well. Thank Heaven Beth continues so comfortable.
JANUARY
A Happy New Year to you all, my dearest family, which of course includes Mr. L. and a young man by the name of Teddy. I can't tell you how much I enjoyed your Christmas bundle, for i didn't get it till night and had given up hoping. Your letter came in the morning, but you said nothing about a parcel, meaning it for a surprise, so I was disappointed, for I'd had a `kind of feeling' that you wouldn't forget me. I felt a little low in my mind as I sat up in my room after tea, and when the big, muddy, battered-looking bundle was brought to me, I just
Degas Dancers in Pink painting
Degas Rehearsal on the Stage painting
Church New England Landscape painting
pills in jelly. I like it very much, and he doesn't seem tired of it yet, which is very good of him, isn't it? I mean to give him something on Christmas, for I dare not offer money. Tell me something nice, Marmee.
I'm glad Laurie seems so happy and busy, that he has given up smoking and lets his hair grow. You see Beth manages him better than I did. I'm not jealous, dear, do your best, only don't make a saint of him. I'm afraid I couldn't like him without a spice of human naughtiness. Read him bits of my letters. I haven't time to write much, and that will do just as well. Thank Heaven Beth continues so comfortable.
JANUARY
A Happy New Year to you all, my dearest family, which of course includes Mr. L. and a young man by the name of Teddy. I can't tell you how much I enjoyed your Christmas bundle, for i didn't get it till night and had given up hoping. Your letter came in the morning, but you said nothing about a parcel, meaning it for a surprise, so I was disappointed, for I'd had a `kind of feeling' that you wouldn't forget me. I felt a little low in my mind as I sat up in my room after tea, and when the big, muddy, battered-looking bundle was brought to me, I just
China oil paintings
China oil paintings
We are very good friends now, and I've begun to take lessons. I really couldn't help it, and it all came about in such a droll way that I must tell you. To begin at the beginning, Mrs. Kirke called to me one day as I passed Mr. Bhaer's room where she was rummaging.
"Did you ever see such a den, my dear? Just come and help me put these books to rights, for I've turned everything upside down, trying to discover what he has done with the six new handkerchiefs I gave him not long ago."
I went in, and while we worked I looked about me, for it was `a den' to be sure. Books and papers everywhere, a broken meerschaum, and an old flute over the mantlepiece as if done with, a ragged bird without any tail chirped on one window seat, and a box of white mice adorned the other. Half-finished boats and bits of string lay among the manuscripts. Dirty little boots stood drying before the fire, and traces of the dearly beloved boys, for whom he makes a slave of himself, were to be seen all over the room. After a grand rummage three of the missing articles were found, one over the bird cage, one covered with ink, and a third burned brown, having been used as a holder.
We are very good friends now, and I've begun to take lessons. I really couldn't help it, and it all came about in such a droll way that I must tell you. To begin at the beginning, Mrs. Kirke called to me one day as I passed Mr. Bhaer's room where she was rummaging.
"Did you ever see such a den, my dear? Just come and help me put these books to rights, for I've turned everything upside down, trying to discover what he has done with the six new handkerchiefs I gave him not long ago."
I went in, and while we worked I looked about me, for it was `a den' to be sure. Books and papers everywhere, a broken meerschaum, and an old flute over the mantlepiece as if done with, a ragged bird without any tail chirped on one window seat, and a box of white mice adorned the other. Half-finished boats and bits of string lay among the manuscripts. Dirty little boots stood drying before the fire, and traces of the dearly beloved boys, for whom he makes a slave of himself, were to be seen all over the room. After a grand rummage three of the missing articles were found, one over the bird cage, one covered with ink, and a third burned brown, having been used as a holder.
Charles Chaplin paintings
Charles Chaplin paintings
Diane Romanello paintings
Diego Rivera paintings
Don Li-Leger paintings
house like a dog whenever he is at home, which delights him, as he is very fond of children, though a `bacheldore'. Kitty and Minnie Kirk likewise regard him with affection, and tell all sorts of stories about the plays he invents, the presents he brings, and the splendid tales he tells. The younger men quiz him, it seems, call him Old Fritz, Lager Beer, Ursa Major, and make all manner of jokes on his name. But he enjoys it like a boy, Mrs. Kirke says, and takes it so good-naturedly that they all like him in spite of his foreign ways.
The maiden lady is a Miss Norton, rich, cultivated, and kind. She spoke to me at dinner today (for I went to table again, it's such fun to watch people), and asked me to come and see her at her room. She has fine books and pictures, knows interesting persons, and seems friendly, so I shall make myself agreeable, for I do want to get into good society, only it isn't the same sort that Amy likes.
I was in our parlor last evening when Mr. Bhaer came in with some newspapers for Mrs. Kirke. She wasn't there, but Minnie, who is a little old woman, introduced me very prettily. "This is Mamma's friend, Miss March."
Diane Romanello paintings
Diego Rivera paintings
Don Li-Leger paintings
house like a dog whenever he is at home, which delights him, as he is very fond of children, though a `bacheldore'. Kitty and Minnie Kirk likewise regard him with affection, and tell all sorts of stories about the plays he invents, the presents he brings, and the splendid tales he tells. The younger men quiz him, it seems, call him Old Fritz, Lager Beer, Ursa Major, and make all manner of jokes on his name. But he enjoys it like a boy, Mrs. Kirke says, and takes it so good-naturedly that they all like him in spite of his foreign ways.
The maiden lady is a Miss Norton, rich, cultivated, and kind. She spoke to me at dinner today (for I went to table again, it's such fun to watch people), and asked me to come and see her at her room. She has fine books and pictures, knows interesting persons, and seems friendly, so I shall make myself agreeable, for I do want to get into good society, only it isn't the same sort that Amy likes.
I was in our parlor last evening when Mr. Bhaer came in with some newspapers for Mrs. Kirke. She wasn't there, but Minnie, who is a little old woman, introduced me very prettily. "This is Mamma's friend, Miss March."
Wednesday, May 28, 2008
Stephen Gjertson paintings
Stephen Gjertson paintings
Sir Henry Raeburn paintings
Thomas Cole paintings
Theodore Robinson paintings
Jo uttered a groan and fell back in her chair, remembering that she had given a last hasty powdering to the berries out of one of the two boxes on the kitchen table, and had neglected to put the milk in the refrigerator. She turned scarlet and was on the verge of crying, when she met Laurie's eyes, which would look merry in spite of his heroic efforts. The comical side of the affair suddenly struck her, and she laughed till the tears ran down her cheeks. So did everyone else, even `Croaker' as the girls called the old lady, and the unfortunate dinner ended gaily, with bread and butter, olives and fun.
"I haven't strength of mind enough to clear up now, so we will sober ourselves with a funeral," said Jo, as they rose, and Miss Crocker made ready to go, being eager to tell the new story at another friend's dinner table.
They did sober themselves for Beth's sake. Laurie dug a grave under the ferns in the grove, little Pip was laid in, with many tears by his tender-hearted mistress, and covered with moss, while a wreath of violets and chickweed was hung on the stone which bore his epitaph, composed by Jo while she struggled with the dinner.
Sir Henry Raeburn paintings
Thomas Cole paintings
Theodore Robinson paintings
Jo uttered a groan and fell back in her chair, remembering that she had given a last hasty powdering to the berries out of one of the two boxes on the kitchen table, and had neglected to put the milk in the refrigerator. She turned scarlet and was on the verge of crying, when she met Laurie's eyes, which would look merry in spite of his heroic efforts. The comical side of the affair suddenly struck her, and she laughed till the tears ran down her cheeks. So did everyone else, even `Croaker' as the girls called the old lady, and the unfortunate dinner ended gaily, with bread and butter, olives and fun.
"I haven't strength of mind enough to clear up now, so we will sober ourselves with a funeral," said Jo, as they rose, and Miss Crocker made ready to go, being eager to tell the new story at another friend's dinner table.
They did sober themselves for Beth's sake. Laurie dug a grave under the ferns in the grove, little Pip was laid in, with many tears by his tender-hearted mistress, and covered with moss, while a wreath of violets and chickweed was hung on the stone which bore his epitaph, composed by Jo while she struggled with the dinner.
Robert Campin paintings
Robert Campin paintings
Rembrandt paintings
Raphael paintings
Salvador Dali paintings
Poor Jo would gladly have gone under the table, as one thing after another was tasted and left, while Amy giggled, Meg looked distressed, Miss Crocker pursed her lips, and Laurie talked and laughed with all his might to give a cheerful tone to the festive scene. Jo's one strong point was the fruit, for she had sugared it well, and had a pitcher of rich cream to eat with it. Her hot cheeks cooled a trifle, and she drew a long breath as the pretty glass plates went round, and everyone looked graciously at the little rosy islands floating in a sea of cream. Miss Crocker tasted first, made a wry face, and drank some water hastily. Jo, who refused, thinking there might not be enough, for they dwindled sadly after the picking over, glanced at Laurie, but he was eating away manfully, though there was a slight pucker about his mouth and he kept his eye fixed on his plate. Amy, who was fond of delicate fare, took a heaping spoonful, choked, hid her face in her napkin, and left the table precipitately.
"Oh, what is it?" exclaimed Jo, trembling.
"Salt instead of sugar, and the cream is sour," replied Meg with a tragic gesture
Rembrandt paintings
Raphael paintings
Salvador Dali paintings
Poor Jo would gladly have gone under the table, as one thing after another was tasted and left, while Amy giggled, Meg looked distressed, Miss Crocker pursed her lips, and Laurie talked and laughed with all his might to give a cheerful tone to the festive scene. Jo's one strong point was the fruit, for she had sugared it well, and had a pitcher of rich cream to eat with it. Her hot cheeks cooled a trifle, and she drew a long breath as the pretty glass plates went round, and everyone looked graciously at the little rosy islands floating in a sea of cream. Miss Crocker tasted first, made a wry face, and drank some water hastily. Jo, who refused, thinking there might not be enough, for they dwindled sadly after the picking over, glanced at Laurie, but he was eating away manfully, though there was a slight pucker about his mouth and he kept his eye fixed on his plate. Amy, who was fond of delicate fare, took a heaping spoonful, choked, hid her face in her napkin, and left the table precipitately.
"Oh, what is it?" exclaimed Jo, trembling.
"Salt instead of sugar, and the cream is sour," replied Meg with a tragic gesture
Pieter de Hooch paintings
Pieter de Hooch paintings
Pietro Perugino paintings
Peter Paul Rubens paintings
Rudolf Ernst paintings
Language cannot describe the anxieties, experiences, and exertions which Jo underwent that morning, and the dinner she served up became a standing joke. Fearing to ask any more advice, she did her best alone, and discovered that something more than energy and good will is necessary to make a cook. She boiled the asparagus for an hour and was grieved to find the heads cooked off and the stalks harder than ever. The bread burned black, for the salad dressing so aggravated her that she could not make it fit to ear. The lobster was a scarlet mystery to her, but she hammered and poked till it was unshelled and its meager proportions concealed in a grove of lettuce leaves. The potatoes had to be hurried, not to keep the asparagus waiting, and were not done at the last. The blancmange was lumpy, and the strawberries not as ripe as they looked, having been skilfully `deaconed'.
"Well, they can eat beef and bread and butter, if they are hungry, only it's mortifying to have to spend your whole morning for nothing," thought Jo, as she rang the bell half an hour later than usual, and stood, hot, tired, and dispirited, surveying the feast spread before Laurie, accustomed to all sorts of elegance, and Miss Crocker, whose tattling tongue would report them far and wide.
Pietro Perugino paintings
Peter Paul Rubens paintings
Rudolf Ernst paintings
Language cannot describe the anxieties, experiences, and exertions which Jo underwent that morning, and the dinner she served up became a standing joke. Fearing to ask any more advice, she did her best alone, and discovered that something more than energy and good will is necessary to make a cook. She boiled the asparagus for an hour and was grieved to find the heads cooked off and the stalks harder than ever. The bread burned black, for the salad dressing so aggravated her that she could not make it fit to ear. The lobster was a scarlet mystery to her, but she hammered and poked till it was unshelled and its meager proportions concealed in a grove of lettuce leaves. The potatoes had to be hurried, not to keep the asparagus waiting, and were not done at the last. The blancmange was lumpy, and the strawberries not as ripe as they looked, having been skilfully `deaconed'.
"Well, they can eat beef and bread and butter, if they are hungry, only it's mortifying to have to spend your whole morning for nothing," thought Jo, as she rang the bell half an hour later than usual, and stood, hot, tired, and dispirited, surveying the feast spread before Laurie, accustomed to all sorts of elegance, and Miss Crocker, whose tattling tongue would report them far and wide.
Patrick Devonas paintings
Patrick Devonas paintings
Peder Mork Monsted paintings
Pierre Auguste Renoir paintings
Peder Severin Kroyer paintings
hot. Hannah had left a pan of bread to rise, Meg had worked it up early, set it on the hearth for a second rising, and forgotten it. Meg was entertaining Sallie Gardiner in the parlor, when the door flew open and a floury, crocky, flushed, and disheveled figure appeared, demanding tartly . . .
"I say, isn't bread `riz' enough when it runs over the pans?"
Sallie began to laugh, but Meg nodded and lifted her eyebrows as high as they would go, which caused the apparition to vanish and put the sour bread into the oven without further delay. Mrs. March went out, after peeping here and there to see how matters went, also saying a word of comfort to Beth, who sat making a winding sheet, while the dear departed lay in state in the domino box. A strange sense of helplessness fell upon the girls as the gray bonnet vanished round the corner, and despair seized them when a few minutes later Miss Crocker appeared, and said she'd come to dinner. Now this lady was a thin, yellow spinster, with a sharp nose and inquisitive eyes, who saw everything and gossiped about all she saw. They disliked her, but had been taught to be kind to her, simply because she was old and poor and had few friends. So Meg gave her the easy chair and tried to entertain her, while she asked questions, criticized everything, and told stories of the people whom she knew.
Peder Mork Monsted paintings
Pierre Auguste Renoir paintings
Peder Severin Kroyer paintings
hot. Hannah had left a pan of bread to rise, Meg had worked it up early, set it on the hearth for a second rising, and forgotten it. Meg was entertaining Sallie Gardiner in the parlor, when the door flew open and a floury, crocky, flushed, and disheveled figure appeared, demanding tartly . . .
"I say, isn't bread `riz' enough when it runs over the pans?"
Sallie began to laugh, but Meg nodded and lifted her eyebrows as high as they would go, which caused the apparition to vanish and put the sour bread into the oven without further delay. Mrs. March went out, after peeping here and there to see how matters went, also saying a word of comfort to Beth, who sat making a winding sheet, while the dear departed lay in state in the domino box. A strange sense of helplessness fell upon the girls as the gray bonnet vanished round the corner, and despair seized them when a few minutes later Miss Crocker appeared, and said she'd come to dinner. Now this lady was a thin, yellow spinster, with a sharp nose and inquisitive eyes, who saw everything and gossiped about all she saw. They disliked her, but had been taught to be kind to her, simply because she was old and poor and had few friends. So Meg gave her the easy chair and tried to entertain her, while she asked questions, criticized everything, and told stories of the people whom she knew.
Martin Johnson Heade paintings
Martin Johnson Heade paintings
Nancy O'Toole paintings
Philip Craig paintings
Paul McCormack paintings
The funeral shall be this afternoon, and we will all go. Now, don't cry, Bethy. It's a pity, but nothing goes right this week, and Pip has had the worst of the experiment. Make the shroud, and lay him in my box, and after the dinner party, we'll have a nice little funeral," said Jo, beginning to feel as if she had undertaken a good deal.
Leaving the others to console Beth, she departed to the kitchen, which was in a most discouraging state of confusion. Putting on a big apron, she fell to work and got the dishes piled up ready for washing, when she discovered that the fire was out.
"Here's a sweet prospect!" muttered Jo, slamming the stove door open, and poking vigorously among the cinders.
Having rekindled the fire, she thought she would go to market while the water heated. The walk revived her spirits, and flattering herself that she had made good bargains, she trudged home again, after buying a very young lobster, some very old asparagus, and two boxes of acid strawberries. By the time she got cleared up, the dinner arrived and the stove was red-
Nancy O'Toole paintings
Philip Craig paintings
Paul McCormack paintings
The funeral shall be this afternoon, and we will all go. Now, don't cry, Bethy. It's a pity, but nothing goes right this week, and Pip has had the worst of the experiment. Make the shroud, and lay him in my box, and after the dinner party, we'll have a nice little funeral," said Jo, beginning to feel as if she had undertaken a good deal.
Leaving the others to console Beth, she departed to the kitchen, which was in a most discouraging state of confusion. Putting on a big apron, she fell to work and got the dishes piled up ready for washing, when she discovered that the fire was out.
"Here's a sweet prospect!" muttered Jo, slamming the stove door open, and poking vigorously among the cinders.
Having rekindled the fire, she thought she would go to market while the water heated. The walk revived her spirits, and flattering herself that she had made good bargains, she trudged home again, after buying a very young lobster, some very old asparagus, and two boxes of acid strawberries. By the time she got cleared up, the dinner arrived and the stove was red-
Tuesday, May 27, 2008
The Birth of Venus
The Birth of Venus
Marc Chagall Painting
Henri Matisse Painting
Van Gogh Painting
Clara still held on firmly to her supports, but with every step she felt safer on her feet, as all three became aware, and Heidi was beside herself with joy.
"Now we shall be able to come up here together
-318-every day, and go just where we like; and you will be able all your life to walk about as I do, and not have to be pushed in a chair, and you will get quite strong and well. It is the greatest happiness we could have had!"
And Clara heartily agreed, for she could think of no greater joy in the world than to be strong and able to go about like other people, and no longer to have to lie from day to day in her invalid chair.
They had not far to go to reach the field of flowers, and could already catch sight of the cistus flowers glowing gold in the sun. As they came to the bushes of the blue bell flowers, with sunny, inviting patches of warm ground between them, Clara said, "Mightn't we sit down here for a while?"
Marc Chagall Painting
Henri Matisse Painting
Van Gogh Painting
Clara still held on firmly to her supports, but with every step she felt safer on her feet, as all three became aware, and Heidi was beside herself with joy.
"Now we shall be able to come up here together
-318-every day, and go just where we like; and you will be able all your life to walk about as I do, and not have to be pushed in a chair, and you will get quite strong and well. It is the greatest happiness we could have had!"
And Clara heartily agreed, for she could think of no greater joy in the world than to be strong and able to go about like other people, and no longer to have to lie from day to day in her invalid chair.
They had not far to go to reach the field of flowers, and could already catch sight of the cistus flowers glowing gold in the sun. As they came to the bushes of the blue bell flowers, with sunny, inviting patches of warm ground between them, Clara said, "Mightn't we sit down here for a while?"
contemporary abstract painting
contemporary abstract painting
Peter, recognising the voice, jumped up like a shot. "No one was up," he answered.
"Have you seen anything of the chair?" asked the grandfather.
"Of what chair?" called Peter back in answer in a morose tone of voice.
Uncle said no more. He spread the shawls on the sunny slope, and setting Clara upon them asked if she was comfortable.
"As comfortable as in my chair," she said, thanking him, "and this seems the most beautiful spot. O Heidi, it is lovely, it is lovely!" she cried, looking round her with delight.
The grandfather prepared to leave them. They would now be safe and happy together, he said, and when it was time for dinner Heidi was to go and fetch the bag from the shady hollow where he had
-312-put it; Peter was to bring them as much milk as they wanted, but Heidi was to see that it was Little Swan's milk. He would come and fetch them towards evening; he must now be off to see after the chair and ascertain what had become of it.
Peter, recognising the voice, jumped up like a shot. "No one was up," he answered.
"Have you seen anything of the chair?" asked the grandfather.
"Of what chair?" called Peter back in answer in a morose tone of voice.
Uncle said no more. He spread the shawls on the sunny slope, and setting Clara upon them asked if she was comfortable.
"As comfortable as in my chair," she said, thanking him, "and this seems the most beautiful spot. O Heidi, it is lovely, it is lovely!" she cried, looking round her with delight.
The grandfather prepared to leave them. They would now be safe and happy together, he said, and when it was time for dinner Heidi was to go and fetch the bag from the shady hollow where he had
-312-put it; Peter was to bring them as much milk as they wanted, but Heidi was to see that it was Little Swan's milk. He would come and fetch them towards evening; he must now be off to see after the chair and ascertain what had become of it.
China oil paintings
China oil paintings
He went indoors, fetched out a pile of shawls, and laying them on the sunniest spot he could find set Clara down upon them. Then he fetched the children's morning milk and had out his two goats.
"Why is Peter not here yet?" thought Uncle to himself, for Peter's whistle had not been sounded that morning. The grandfather now took Clara up on one arm, and the shawls on the other.
-311-
"Now then we will start," he said; "the goats can come with us."
Heidi was pleased at this and walked on after her grandfather with an arm over either of the goats' necks, and the animals were so overjoyed to have her again that they nearly squeezed her flat between them out of sheer affection. When they reached the spot where the goats usually pastured they were surprised to find them already feeding there, climbing about the rocks, and Peter with them, lying his full length on the ground.
"I'll teach you another time to go by like that, you lazy rascal! What do you mean by it?" Uncle called to him.
He went indoors, fetched out a pile of shawls, and laying them on the sunniest spot he could find set Clara down upon them. Then he fetched the children's morning milk and had out his two goats.
"Why is Peter not here yet?" thought Uncle to himself, for Peter's whistle had not been sounded that morning. The grandfather now took Clara up on one arm, and the shawls on the other.
-311-
"Now then we will start," he said; "the goats can come with us."
Heidi was pleased at this and walked on after her grandfather with an arm over either of the goats' necks, and the animals were so overjoyed to have her again that they nearly squeezed her flat between them out of sheer affection. When they reached the spot where the goats usually pastured they were surprised to find them already feeding there, climbing about the rocks, and Peter with them, lying his full length on the ground.
"I'll teach you another time to go by like that, you lazy rascal! What do you mean by it?" Uncle called to him.
Monday, May 26, 2008
Allan R.Banks paintings
Allan R.Banks paintings
Andrea Mantegna paintings
Arthur Hughes paintings
Albert Bierstadt paintings
of this letter; she did not think the matter was treated seriously enough. She wrote off without delay to Frau Sesemann, but got no more satisfactory reply from that quarter, and some remarks in the letter she considered were quite offensive. Frau Sesemann wrote that she did not feel inclined to take the journey again from Holstein to Frankfurt because Rottenmeier fancied she saw ghosts. There had never been a ghost in the house since she bad known it, and if there was one now it must be a live one, with which Rottenmeier ought to be able to deal; if not she had better send for the watchman to help her.
Fräulein Rottenmeier, however, was determined not to pass any more days in a state of fear, and she
-169-knew the right course to pursue. She had as yet said nothing to the children of the ghostly apparitions, for she knew if she did that the children would not remain alone for a single
Andrea Mantegna paintings
Arthur Hughes paintings
Albert Bierstadt paintings
of this letter; she did not think the matter was treated seriously enough. She wrote off without delay to Frau Sesemann, but got no more satisfactory reply from that quarter, and some remarks in the letter she considered were quite offensive. Frau Sesemann wrote that she did not feel inclined to take the journey again from Holstein to Frankfurt because Rottenmeier fancied she saw ghosts. There had never been a ghost in the house since she bad known it, and if there was one now it must be a live one, with which Rottenmeier ought to be able to deal; if not she had better send for the watchman to help her.
Fräulein Rottenmeier, however, was determined not to pass any more days in a state of fear, and she
-169-knew the right course to pursue. She had as yet said nothing to the children of the ghostly apparitions, for she knew if she did that the children would not remain alone for a single
Andrea del Sarto paintings
Andrea del Sarto paintings
Alexandre Cabanel paintings
Anders Zorn paintings
Anne-Francois-Louis Janmot paintings
such a letter before in his life. She could hardly write, she told him, for her fingers were stiff with fear, and Herr Sesemann must please arrange to come back at once, for dreadful and unaccountable things were taking place at home. Then she entered into particulars of all that had happened, of
-168-how the door was found standing open every morning, and how nobody in the house now felt sure of their life in this unprotected state of things, and how it was impossible to tell what terrible results might follow on these mysterious doings.
Herr Sesemann answered that it was quite impossible for him to arrange to leave his business and return home at once. He was very much astonished at this ghost tale, but hoped by this time the ghost had disappeared. If, however, it still continued to disturb the household, would Fräulein Rottenmeier write to the grandmother and ask her if she could come and do something; she, he was sure, would soon find out a way to deal with the ghost so that it would not venture again to haunt his house. Fräulein Rottenmeier was not pleased with the tone
Alexandre Cabanel paintings
Anders Zorn paintings
Anne-Francois-Louis Janmot paintings
such a letter before in his life. She could hardly write, she told him, for her fingers were stiff with fear, and Herr Sesemann must please arrange to come back at once, for dreadful and unaccountable things were taking place at home. Then she entered into particulars of all that had happened, of
-168-how the door was found standing open every morning, and how nobody in the house now felt sure of their life in this unprotected state of things, and how it was impossible to tell what terrible results might follow on these mysterious doings.
Herr Sesemann answered that it was quite impossible for him to arrange to leave his business and return home at once. He was very much astonished at this ghost tale, but hoped by this time the ghost had disappeared. If, however, it still continued to disturb the household, would Fräulein Rottenmeier write to the grandmother and ask her if she could come and do something; she, he was sure, would soon find out a way to deal with the ghost so that it would not venture again to haunt his house. Fräulein Rottenmeier was not pleased with the tone
Oil Painting Gallery
Oil Painting Gallery
Alfred Gockel paintings
Alexei Alexeivich Harlamoff paintings
Aubrey Beardsley paintings
the suddenness of the affair, did not know exactly what had happened, for he had not seen the open door or felt the breeze behind John's broad figure. But now, as he saw the latter in the light, he gave a cry of alarm, for John was trembling all over and as white as a ghost. "What's the matter? What did you see, outside? asked Sebastian sympathetically.
"The door partly open," gasped John, "and a white figure standing at the top of the steps -- there it stood, and then all in a minute it disappeared."
Sebastian felt his blood run cold. The two sat down close to one another and did not dare move again till the morning broke and the streets began to be alive again. Then they left the room together, shut the front door, and went upstairs to tell Fräulein Rottenmeier of their experience. She was quite ready to receive them, for she had not been able to sleep at all in the anxiety of waiting to hear their report. They had no sooner given her details of the night's experience than she sat down and wrote straight off to Herr Sesemann, who had never received
Alfred Gockel paintings
Alexei Alexeivich Harlamoff paintings
Aubrey Beardsley paintings
the suddenness of the affair, did not know exactly what had happened, for he had not seen the open door or felt the breeze behind John's broad figure. But now, as he saw the latter in the light, he gave a cry of alarm, for John was trembling all over and as white as a ghost. "What's the matter? What did you see, outside? asked Sebastian sympathetically.
"The door partly open," gasped John, "and a white figure standing at the top of the steps -- there it stood, and then all in a minute it disappeared."
Sebastian felt his blood run cold. The two sat down close to one another and did not dare move again till the morning broke and the streets began to be alive again. Then they left the room together, shut the front door, and went upstairs to tell Fräulein Rottenmeier of their experience. She was quite ready to receive them, for she had not been able to sleep at all in the anxiety of waiting to hear their report. They had no sooner given her details of the night's experience than she sat down and wrote straight off to Herr Sesemann, who had never received
Old Master Oil Paintings
Old Master Oil Paintings
Nude Oil Paintings
dropship oil paintings
Mediterranean paintings
one side and then the other and continuing to sleep. Sebastian began to listen more attentively, for he was wide awake now. Everything was still as a mouse, all sound had died away from the streets even. He did not feel inclined to go to sleep again, for the stillness was ghostly to him, and he was afraid now to raise his voice to rouse John, so he shook him gently to make him stir. At last, as one struck, John work up, and came back to the consciousness of why he was sitting in a chair instead of lying in his bed. He now got up with a great show of courage and said, "Come, Sebastian, we must go outside and see what is going on; you need not be afraid, just follow me."
Whereupon he opened the door wide and stepped into the hall. Just as he did so a sudden gust of air blew through the open front door and put out the light which John held in his hand. He started back, almost overturning Sebastian, whom he clutched and
-167-pulled back into the room, and then shutting the door quickly he turned the key as far as he could make it go. Then he pulled out his matches and lighted his candle again. Sebastian, in
Nude Oil Paintings
dropship oil paintings
Mediterranean paintings
one side and then the other and continuing to sleep. Sebastian began to listen more attentively, for he was wide awake now. Everything was still as a mouse, all sound had died away from the streets even. He did not feel inclined to go to sleep again, for the stillness was ghostly to him, and he was afraid now to raise his voice to rouse John, so he shook him gently to make him stir. At last, as one struck, John work up, and came back to the consciousness of why he was sitting in a chair instead of lying in his bed. He now got up with a great show of courage and said, "Come, Sebastian, we must go outside and see what is going on; you need not be afraid, just follow me."
Whereupon he opened the door wide and stepped into the hall. Just as he did so a sudden gust of air blew through the open front door and put out the light which John held in his hand. He started back, almost overturning Sebastian, whom he clutched and
-167-pulled back into the room, and then shutting the door quickly he turned the key as far as he could make it go. Then he pulled out his matches and lighted his candle again. Sebastian, in
Mary Cassatt paintings
Mary Cassatt paintings
gustav klimt paintings
oil painting reproduction
mark rothko paintings
were still wrapped in slumber, and the doors and windows of the adjoining houses all fast shut. At last, after a great deal of persuasion from Fräulein Rottenmeier, Sebastian and John plucked up courage and agreed to sit up one night in the room next to the large council-chamber
-166-and to watch and see what would happen. Fräulein Rottenmeier looked up several weapons belonging to the master, and gave these and a bottle of spirits to Sebastian, so that their courage might not faint if it came to a fight.
On the appointed night the two sat down and began at once to take some of the strengthening cordial, which at first made them very talkative and then very sleepy, so that they leant back in their seats and became silent. As midnight struck, Sebastian roused himself and called to his companion, who, however, was not easy to wake, and kept rolling his head first to
gustav klimt paintings
oil painting reproduction
mark rothko paintings
were still wrapped in slumber, and the doors and windows of the adjoining houses all fast shut. At last, after a great deal of persuasion from Fräulein Rottenmeier, Sebastian and John plucked up courage and agreed to sit up one night in the room next to the large council-chamber
-166-and to watch and see what would happen. Fräulein Rottenmeier looked up several weapons belonging to the master, and gave these and a bottle of spirits to Sebastian, so that their courage might not faint if it came to a fight.
On the appointed night the two sat down and began at once to take some of the strengthening cordial, which at first made them very talkative and then very sleepy, so that they leant back in their seats and became silent. As midnight struck, Sebastian roused himself and called to his companion, who, however, was not easy to wake, and kept rolling his head first to
Sunday, May 25, 2008
contemporary abstract painting
contemporary abstract painting
Then all the Winged Monkeys, with much laughing and chattering and noise, flew into the air and were soon out of sight.
The Wicked Witch was both surprised and worried when she saw the mark on Dorothy's forehead, for she knew well that neither the Winged Monkeys nor she, herself, dare hurt the girl in any way. She looked down at Dorothy's feet, and seeing the Silver Shoes, began to tremble with fear, for she knew what a powerful charm belonged to them. At first the Witch was tempted to run away from Dorothy; but she happened to look into the child's eyes and saw how simple the soul behind them was, and that the little girl did not know of the wonderful power the Silver Shoes gave her. So the Wicked Witch laughed to herself, and thought, "I can still make her my slave, for she does not know how to use her power." Then she said to Dorothy, harshly and severely:
"Come with me; and see that you mind everything I tell you, for if you do not I will make an end of you, as I did of the Tin Woodman and the Scarecrow."
Then all the Winged Monkeys, with much laughing and chattering and noise, flew into the air and were soon out of sight.
The Wicked Witch was both surprised and worried when she saw the mark on Dorothy's forehead, for she knew well that neither the Winged Monkeys nor she, herself, dare hurt the girl in any way. She looked down at Dorothy's feet, and seeing the Silver Shoes, began to tremble with fear, for she knew what a powerful charm belonged to them. At first the Witch was tempted to run away from Dorothy; but she happened to look into the child's eyes and saw how simple the soul behind them was, and that the little girl did not know of the wonderful power the Silver Shoes gave her. So the Wicked Witch laughed to herself, and thought, "I can still make her my slave, for she does not know how to use her power." Then she said to Dorothy, harshly and severely:
"Come with me; and see that you mind everything I tell you, for if you do not I will make an end of you, as I did of the Tin Woodman and the Scarecrow."
Bartolome Esteban Murillo paintings
Bartolome Esteban Murillo paintings
Berthe Morisot paintings
Cheri Blum paintings
Camille Pissarro paintings
But Dorothy they did not harm at all. She stood, with Toto in her arms, watching the sad fate of her comrades and thinking it would soon be her turn. The leader of the Winged Monkeys flew up to her, his long, hairy arms stretched out and his ugly face grinning terribly; but he saw the mark of the Good Witch's kiss upon her forehead and stopped short, motioning the others not to touch her.
"We dare not harm this little girl," he said to them, "for she is protected by the Power of Good, and that is greater than the Power of Evil. All we can do is to carry her to the castle of the Wicked Witch and leave her there."
So, carefully and gently, they lifted Dorothy in their arms and carried her swiftly through the air until they came to the castle, where they set her down upon the front doorstep. Then the leader said to the Witch:
"We have obeyed you as far as we were able. The Tin Woodman and the Scarecrow are destroyed, and the Lion is tied up in your yard. The little girl we dare not harm, nor the dog she carries in her arms. Your power over our band is now ended, and you will never see us again."
Berthe Morisot paintings
Cheri Blum paintings
Camille Pissarro paintings
But Dorothy they did not harm at all. She stood, with Toto in her arms, watching the sad fate of her comrades and thinking it would soon be her turn. The leader of the Winged Monkeys flew up to her, his long, hairy arms stretched out and his ugly face grinning terribly; but he saw the mark of the Good Witch's kiss upon her forehead and stopped short, motioning the others not to touch her.
"We dare not harm this little girl," he said to them, "for she is protected by the Power of Good, and that is greater than the Power of Evil. All we can do is to carry her to the castle of the Wicked Witch and leave her there."
So, carefully and gently, they lifted Dorothy in their arms and carried her swiftly through the air until they came to the castle, where they set her down upon the front doorstep. Then the leader said to the Witch:
"We have obeyed you as far as we were able. The Tin Woodman and the Scarecrow are destroyed, and the Lion is tied up in your yard. The little girl we dare not harm, nor the dog she carries in her arms. Your power over our band is now ended, and you will never see us again."
Albert Bierstadt paintings
Albert Bierstadt paintings
Andreas Achenbach paintings
Alphonse Maria Mucha paintings
Benjamin Williams Leader paintings
Some of the Monkeys seized the Tin Woodman and carried him through the air until they were over a country thickly covered with sharp rocks. Here they dropped the poor Woodman, who fell a great distance to the rocks, where he lay so battered and dented that he could neither move nor groan.
Others of the Monkeys caught the Scarecrow, and with their long fingers pulled all of the straw out of his clothes and head. They made his hat and boots and clothes into a small bundle and threw it into the top branches of a tall tree.
The remaining Monkeys threw pieces of stout rope around the Lion and wound many coils about his body and head and legs, until he was unable to bite or scratch or struggle in any way. Then they lifted him up and flew away with him to the Witch's castle, where he was placed in a small yard with a high iron fence around it, so that he could not escape.
Andreas Achenbach paintings
Alphonse Maria Mucha paintings
Benjamin Williams Leader paintings
Some of the Monkeys seized the Tin Woodman and carried him through the air until they were over a country thickly covered with sharp rocks. Here they dropped the poor Woodman, who fell a great distance to the rocks, where he lay so battered and dented that he could neither move nor groan.
Others of the Monkeys caught the Scarecrow, and with their long fingers pulled all of the straw out of his clothes and head. They made his hat and boots and clothes into a small bundle and threw it into the top branches of a tall tree.
The remaining Monkeys threw pieces of stout rope around the Lion and wound many coils about his body and head and legs, until he was unable to bite or scratch or struggle in any way. Then they lifted him up and flew away with him to the Witch's castle, where he was placed in a small yard with a high iron fence around it, so that he could not escape.
Anne-Francois-Louis Janmot paintings
Anne-Francois-Louis Janmot paintings
Allan R.Banks paintings
Andrea Mantegna paintings
Arthur Hughes paintings
Next she stood upon her right foot and said:
"Hil-lo, hol-lo, hel-lo!"
After this she stood upon both feet and cried in a loud voice:
"Ziz-zy, zuz-zy, zik!"
Now the charm began to work. The sky was darkened, and a low rumbling sound was heard in the air. There was a rushing of many wings, a great chattering and laughing, and the sun came out of the dark sky to show the Wicked Witch surrounded by a crowd of monkeys, each with a pair of immense and powerful wings on his shoulders.
One, much bigger than the others, seemed to be their leader. He flew close to the Witch and said, "You have called us for the third and last time. What do you command?"
"Go to the strangers who are within my land and destroy them all except the Lion," said the Wicked Witch. "Bring that beast to me, for I have a mind to harness him like a horse, and make him work."
"Your commands shall be obeyed," said the leader. Then, with a great deal of chattering and noise, the Winged Monkeys flew away to the place where Dorothy and her friends were walking.
Allan R.Banks paintings
Andrea Mantegna paintings
Arthur Hughes paintings
Next she stood upon her right foot and said:
"Hil-lo, hol-lo, hel-lo!"
After this she stood upon both feet and cried in a loud voice:
"Ziz-zy, zuz-zy, zik!"
Now the charm began to work. The sky was darkened, and a low rumbling sound was heard in the air. There was a rushing of many wings, a great chattering and laughing, and the sun came out of the dark sky to show the Wicked Witch surrounded by a crowd of monkeys, each with a pair of immense and powerful wings on his shoulders.
One, much bigger than the others, seemed to be their leader. He flew close to the Witch and said, "You have called us for the third and last time. What do you command?"
"Go to the strangers who are within my land and destroy them all except the Lion," said the Wicked Witch. "Bring that beast to me, for I have a mind to harness him like a horse, and make him work."
"Your commands shall be obeyed," said the leader. Then, with a great deal of chattering and noise, the Winged Monkeys flew away to the place where Dorothy and her friends were walking.
Saturday, May 24, 2008
canvas painting
canvas painting
Why do you wish to see Oz?" he asked.
"I want him to send me back to Kansas, and the Scarecrow wants him to put a few brains into his head," she replied.
The Tin Woodman appeared to think deeply for a moment. Then he said:
"Do you suppose Oz could give me a heart?"
"Why, I guess so," Dorothy answered. "It would be as easy as to give the Scarecrow brains." "True," the Tin Woodman returned. "So, if you will allow me to join your party, I will also go to the Emerald City and ask Oz to help me."
"Come along," said the Scarecrow heartily, and Dorothy added that she would be pleased to have his company. So the Tin Woodman shouldered his axe and they all passed through the forest until they came to the road that was paved with yellow brick.
The Tin Woodman had asked Dorothy to put the oil-can in her basket. "For," he said, "if I should get caught in the rain, and rust again, I would need the oil-can badly."
It was a bit of good luck to have their new comrade join the party, for soon after they had begun their journey again they came to a place where the trees and branches grew so thick over the road that the travelers could not pass. But the Tin Woodman set to work with his axe and chopped so well that soon he cleared a passage for the entire party.
Dorothy was thinking so earnestly as they walked along that she did not notice when the Scarecrow stumbled into a hole and rolled over to the side of the road. Indeed he was
Why do you wish to see Oz?" he asked.
"I want him to send me back to Kansas, and the Scarecrow wants him to put a few brains into his head," she replied.
The Tin Woodman appeared to think deeply for a moment. Then he said:
"Do you suppose Oz could give me a heart?"
"Why, I guess so," Dorothy answered. "It would be as easy as to give the Scarecrow brains." "True," the Tin Woodman returned. "So, if you will allow me to join your party, I will also go to the Emerald City and ask Oz to help me."
"Come along," said the Scarecrow heartily, and Dorothy added that she would be pleased to have his company. So the Tin Woodman shouldered his axe and they all passed through the forest until they came to the road that was paved with yellow brick.
The Tin Woodman had asked Dorothy to put the oil-can in her basket. "For," he said, "if I should get caught in the rain, and rust again, I would need the oil-can badly."
It was a bit of good luck to have their new comrade join the party, for soon after they had begun their journey again they came to a place where the trees and branches grew so thick over the road that the travelers could not pass. But the Tin Woodman set to work with his axe and chopped so well that soon he cleared a passage for the entire party.
Dorothy was thinking so earnestly as they walked along that she did not notice when the Scarecrow stumbled into a hole and rolled over to the side of the road. Indeed he was
China oil paintings
China oil paintings
"After the crows had gone I thought this over, and decided I would try hard to get some brains. By good luck you came along and pulled me off the stake, and from what you say I am sure the Great Oz will give me brains as soon as we get to the Emerald City."
"I hope so," said Dorothy earnestly, "since you seem anxious to have them."
"Oh, yes; I am anxious," returned the Scarecrow. "It is such an uncomfortable feeling to know one is a fool." Well," said the girl, "let us go." And she handed the basket to the Scarecrow.
There were no fences at all by the roadside now, and the land was rough and untilled. Toward evening they came to a great forest, where the trees grew so big and close together that their branches met over the road of yellow brick. It was almost dark under the trees, for the branches shut out the daylight; but the travelers did not stop, and went on into the forest.
"If this road goes in, it must come out," said the Scarecrow, "and as the Emerald City is at the other end of the road, we must go wherever it leads us."
"Anyone would know that," said Dorothy.
"Certainly; that is why I know it," returned the Scarecrow. "If it required brains to figure it out, I never should have said it."
"After the crows had gone I thought this over, and decided I would try hard to get some brains. By good luck you came along and pulled me off the stake, and from what you say I am sure the Great Oz will give me brains as soon as we get to the Emerald City."
"I hope so," said Dorothy earnestly, "since you seem anxious to have them."
"Oh, yes; I am anxious," returned the Scarecrow. "It is such an uncomfortable feeling to know one is a fool." Well," said the girl, "let us go." And she handed the basket to the Scarecrow.
There were no fences at all by the roadside now, and the land was rough and untilled. Toward evening they came to a great forest, where the trees grew so big and close together that their branches met over the road of yellow brick. It was almost dark under the trees, for the branches shut out the daylight; but the travelers did not stop, and went on into the forest.
"If this road goes in, it must come out," said the Scarecrow, "and as the Emerald City is at the other end of the road, we must go wherever it leads us."
"Anyone would know that," said Dorothy.
"Certainly; that is why I know it," returned the Scarecrow. "If it required brains to figure it out, I never should have said it."
Friday, May 23, 2008
famous painting
famous painting
The Lord Protector's eye fell sternly upon the new-comer's face; but straightway the sternness vanished away, and gave place to an expression of wondering surprise. This thing happened also to the other great officers. They glanced at each other, and retreated a step by a common and unconscious impulse. The thought in each mind was the same: "What a strange resemblance!"
The Lord Protector reflected a moment or two in perplexity, then he said, with grave respectfulness:
"By your favor, sir, I desire to ask certain questions which-"
"I will answer them, my lord."
The duke asked him many questions about the court, the late king, the prince, the princesses. The boy answered them correctly and without hesitating. He described the rooms of state in the palace, the late king's apartments, and those of the Prince of Wales.
It was strange; it was wonderful; yes, it was unaccountable-so all said that heard it. The tide was beginning to turn, and Tom Canty's hopes to run high, when the Lord Protector shook his head and said:
The Lord Protector's eye fell sternly upon the new-comer's face; but straightway the sternness vanished away, and gave place to an expression of wondering surprise. This thing happened also to the other great officers. They glanced at each other, and retreated a step by a common and unconscious impulse. The thought in each mind was the same: "What a strange resemblance!"
The Lord Protector reflected a moment or two in perplexity, then he said, with grave respectfulness:
"By your favor, sir, I desire to ask certain questions which-"
"I will answer them, my lord."
The duke asked him many questions about the court, the late king, the prince, the princesses. The boy answered them correctly and without hesitating. He described the rooms of state in the palace, the late king's apartments, and those of the Prince of Wales.
It was strange; it was wonderful; yes, it was unaccountable-so all said that heard it. The tide was beginning to turn, and Tom Canty's hopes to run high, when the Lord Protector shook his head and said:
oil painting from picture
oil painting from picture
A sort of panic of astonishment swept the assemblage, and they partly rose in their places and stared in a bewildered way at one another and at the chief figures in this scene, like persons who wondered whether they were awake and in their senses, or asleep and dreaming. The Lord Protector was as amazed as the rest, but quickly recovered himself and exclaimed in a voice of authority: "Mind not his Majesty, his malady is upon him again-seize the vagabond!"
He would have been obeyed, but the mock king stamped his foot and cried out:
"On your peril! Touch him not, he is the king!"
The hands were withheld; a paralysis fell upon the house, no one moved, no one spoke; indeed, no one knew how to act or what to say, in so strange and surprising an emergency. While all minds were struggling to right themselves, the boy still moved steadily forward, with high port and confident mien; he had never halted from the beginning; and while the tangled minds still floundered helplessly, he stepped upon the platform, and the mock king ran with a glad face to meet him; and fell on his knees before him and said:
"Oh, my lord the king, let poor Tom Canty be first to swear fealty to thee, and say " Put on thy crown and enter into thine own again!'"
A sort of panic of astonishment swept the assemblage, and they partly rose in their places and stared in a bewildered way at one another and at the chief figures in this scene, like persons who wondered whether they were awake and in their senses, or asleep and dreaming. The Lord Protector was as amazed as the rest, but quickly recovered himself and exclaimed in a voice of authority: "Mind not his Majesty, his malady is upon him again-seize the vagabond!"
He would have been obeyed, but the mock king stamped his foot and cried out:
"On your peril! Touch him not, he is the king!"
The hands were withheld; a paralysis fell upon the house, no one moved, no one spoke; indeed, no one knew how to act or what to say, in so strange and surprising an emergency. While all minds were struggling to right themselves, the boy still moved steadily forward, with high port and confident mien; he had never halted from the beginning; and while the tangled minds still floundered helplessly, he stepped upon the platform, and the mock king ran with a glad face to meet him; and fell on his knees before him and said:
"Oh, my lord the king, let poor Tom Canty be first to swear fealty to thee, and say " Put on thy crown and enter into thine own again!'"
painting idea
painting idea
At last the final act was at hand. The Archbishop of Canterbury lifted up the crown of England from its cushion and held it out over the trembling mock king's head. In the same instant a rainbow radiance flashed along the spacious transept; for with one impulse every individual in the great concourse of nobles lifted a coronet and poised it over his or her head-and paused in that attitude.
A deep hush pervaded the Abbey. At this impressive moment, a startling apparition intruded upon the scene-an apparition observed by none in the absorbed multitude, until it suddenly appeared, moving up the great central aisle. It was a boy, bareheaded, ill shod, and clothed in coarse plebeian garments that were falling to rags. He raised his hand with a solemnity which ill comported with his soiled and sorry aspect, and delivered this note of warning:
"I forbid you to set the crown of England upon that forfeited head. I am the king!"
In an instant several indignant hands were laid upon the boy; but in the same instant Tom Canty, in his regal vestments, made a swift step forward and cried out in a ringing voice:
"Loose him and forbear! He is the king!"
At last the final act was at hand. The Archbishop of Canterbury lifted up the crown of England from its cushion and held it out over the trembling mock king's head. In the same instant a rainbow radiance flashed along the spacious transept; for with one impulse every individual in the great concourse of nobles lifted a coronet and poised it over his or her head-and paused in that attitude.
A deep hush pervaded the Abbey. At this impressive moment, a startling apparition intruded upon the scene-an apparition observed by none in the absorbed multitude, until it suddenly appeared, moving up the great central aisle. It was a boy, bareheaded, ill shod, and clothed in coarse plebeian garments that were falling to rags. He raised his hand with a solemnity which ill comported with his soiled and sorry aspect, and delivered this note of warning:
"I forbid you to set the crown of England upon that forfeited head. I am the king!"
In an instant several indignant hands were laid upon the boy; but in the same instant Tom Canty, in his regal vestments, made a swift step forward and cried out in a ringing voice:
"Loose him and forbear! He is the king!"
contemporary abstract painting
contemporary abstract painting
delay would be pleasantly occupied by the assembling of the peers of the realm in their stately robes. These were conducted ceremoniously to their seats, and their coronets placed conveniently at hand; and meanwhile the multitude in the galleries were alive with interest, for most of them were beholding for the first time, dukes, earls, and barons, whose names had been historical for five hundred years. When all were finally seated, the spectacle from the galleries and all coigns of vantage was complete; a gorgeous one to look upon and to remember. Now the robed and mitered great heads of the church, and their attendants, filed in upon the platform and took their appointed places; these were followed by the Lord Protector and other great officials, and these again by a steel-clad detachment of the Guard.
There was a waiting pause; then, at a signal, a triumphant peal of music burst forth, and Tom Canty, dothed in a long robe of cloth-of-gold, appeared at a door, and stepped upon the platform. The entire multitude rose, and the ceremony of the Recognition ensued.
Then a noble anthem swept the Abbey with its rich waves of sound; and thus heralded and welcomed, Tom Canty was conducted to the throne. The ancient ceremonies went on with impressive solemnity, whilst the audience gazed; and as they drew nearer and nearer to completion, Tom Canty grew pale, and still paler, and a deep and steadily deepening woe and despondency settled down upon his spirits and upon his remorseful heart.
delay would be pleasantly occupied by the assembling of the peers of the realm in their stately robes. These were conducted ceremoniously to their seats, and their coronets placed conveniently at hand; and meanwhile the multitude in the galleries were alive with interest, for most of them were beholding for the first time, dukes, earls, and barons, whose names had been historical for five hundred years. When all were finally seated, the spectacle from the galleries and all coigns of vantage was complete; a gorgeous one to look upon and to remember. Now the robed and mitered great heads of the church, and their attendants, filed in upon the platform and took their appointed places; these were followed by the Lord Protector and other great officials, and these again by a steel-clad detachment of the Guard.
There was a waiting pause; then, at a signal, a triumphant peal of music burst forth, and Tom Canty, dothed in a long robe of cloth-of-gold, appeared at a door, and stepped upon the platform. The entire multitude rose, and the ceremony of the Recognition ensued.
Then a noble anthem swept the Abbey with its rich waves of sound; and thus heralded and welcomed, Tom Canty was conducted to the throne. The ancient ceremonies went on with impressive solemnity, whilst the audience gazed; and as they drew nearer and nearer to completion, Tom Canty grew pale, and still paler, and a deep and steadily deepening woe and despondency settled down upon his spirits and upon his remorseful heart.
China oil paintings
China oil paintings
We have seen that this massed array of peeresses is sown thick with diamonds, and we also see that it is a marvelous spectacle-but now we are about to be astonished in earnest. About nine, the clouds suddenly break away and a shaft of sunshine cleaves the mellow atmosphere, and drifts slowly along the ranks of ladies; and every rank it touches flames into a dazzling splendor of many-colored fires, and we tingle to our finger-tips with the electric thrill that is shot through us by the surprise and the beauty of the spectacle! Presently a special envoy from some distant corner of the Orient, marching with the general body of foreign ambassadors, crosses this bar of sunshine, and we catch our breath, the glory that streams and flashes and palpitates about him is so overpowering; for he is crusted from head to heels with gems, and his slightest movement showers a dancing radiance all around him.
Let us change the tense for convenience. The time drifted along-one hour-two hours-two hours and a half; then the deep booming of artillery told that the king and his grand procession had arrived at last; so the waiting multitude rejoiced. All knew that a further delay must follow, for the king must be prepared and robed for the solemn ceremony; but
We have seen that this massed array of peeresses is sown thick with diamonds, and we also see that it is a marvelous spectacle-but now we are about to be astonished in earnest. About nine, the clouds suddenly break away and a shaft of sunshine cleaves the mellow atmosphere, and drifts slowly along the ranks of ladies; and every rank it touches flames into a dazzling splendor of many-colored fires, and we tingle to our finger-tips with the electric thrill that is shot through us by the surprise and the beauty of the spectacle! Presently a special envoy from some distant corner of the Orient, marching with the general body of foreign ambassadors, crosses this bar of sunshine, and we catch our breath, the glory that streams and flashes and palpitates about him is so overpowering; for he is crusted from head to heels with gems, and his slightest movement showers a dancing radiance all around him.
Let us change the tense for convenience. The time drifted along-one hour-two hours-two hours and a half; then the deep booming of artillery told that the king and his grand procession had arrived at last; so the waiting multitude rejoiced. All knew that a further delay must follow, for the king must be prepared and robed for the solemn ceremony; but
Wednesday, May 21, 2008
China oil paintings
China oil paintings
Tom made a good dinner, notwithstanding he was conscious that hundreds of eyes followed each morsel to his mouth and watched him eat it with an interest which could not have been more intense if it had been a deadly explosive and was expected to blow him up and scatter him all over the place. He was careful not to hurry, and equally careful not to do anything whatever for himself, but wait till the proper official knelt down and did it for him. He got through without a mistake-flawless and precious triumph.
When the meal was over at last and he marched away in the midst of his bright pageant, with the happy noises in his ears of blaring bugles, rolling drums, and thundering acclamations, he felt that if he had seen the worst of dining in public, it was an ordeal which he would be glad to endure several times a day if by that means he could but buy himself free from some of the more formidable requirements of his royal officethen come two others, one with the rod again, the other with a salt-cellar, a plate, and bread; when they have kneeled as the others had done, and placed what was brought upon the table, they too retire with the same ceremonies performed by the first; at last come two nobles richly clothed, one bearing a tasting-knife, who, after prostrating themselves in the most
Tom made a good dinner, notwithstanding he was conscious that hundreds of eyes followed each morsel to his mouth and watched him eat it with an interest which could not have been more intense if it had been a deadly explosive and was expected to blow him up and scatter him all over the place. He was careful not to hurry, and equally careful not to do anything whatever for himself, but wait till the proper official knelt down and did it for him. He got through without a mistake-flawless and precious triumph.
When the meal was over at last and he marched away in the midst of his bright pageant, with the happy noises in his ears of blaring bugles, rolling drums, and thundering acclamations, he felt that if he had seen the worst of dining in public, it was an ordeal which he would be glad to endure several times a day if by that means he could but buy himself free from some of the more formidable requirements of his royal officethen come two others, one with the rod again, the other with a salt-cellar, a plate, and bread; when they have kneeled as the others had done, and placed what was brought upon the table, they too retire with the same ceremonies performed by the first; at last come two nobles richly clothed, one bearing a tasting-knife, who, after prostrating themselves in the most
Bartolome Esteban Murillo paintings
Bartolome Esteban Murillo paintings
Berthe Morisot paintings
Cheri Blum paintings
Camille Pissarro paintings
In a little while the measured tread of military men was heard approaching, and the culprits entered the presence in charge of an under-sheriff and escorted by a detail of the king's guard. The civil officer knelt before Tom, then stood aside; the three doomed persons knelt also, and remained so; the guard took position behind Tom's chair. Tom scanned the prisoners curiously. Something about the dress or appearance of the man had stirred a vague memory in him. "Methinks I have seen this man ere now... but the when or the where fail me"-such was Tom's thought. Just then the man glanced quickly up, and quickly dropped his face again, not being able to endure the awful port of sovereignty; but the one full glimpse of the face, which Tom got, was sufficient. He said to himself: "Now is the matter clear; this is the stranger that plucked Giles Witt out of the Thames, and saved his life that windy, bitter first day of the New Year-a brave, good deed-pity he hath been doing baser ones and got himself in this sad case... I have not forgot the day, neither the hour; by reason that an hour after, upon the stroke of eleven, I did get a hiding by the hand of Gammer Canty which was of so goodly and admired severity that all that went before or followed after it were but fondlings and caresses by comparison."
Berthe Morisot paintings
Cheri Blum paintings
Camille Pissarro paintings
In a little while the measured tread of military men was heard approaching, and the culprits entered the presence in charge of an under-sheriff and escorted by a detail of the king's guard. The civil officer knelt before Tom, then stood aside; the three doomed persons knelt also, and remained so; the guard took position behind Tom's chair. Tom scanned the prisoners curiously. Something about the dress or appearance of the man had stirred a vague memory in him. "Methinks I have seen this man ere now... but the when or the where fail me"-such was Tom's thought. Just then the man glanced quickly up, and quickly dropped his face again, not being able to endure the awful port of sovereignty; but the one full glimpse of the face, which Tom got, was sufficient. He said to himself: "Now is the matter clear; this is the stranger that plucked Giles Witt out of the Thames, and saved his life that windy, bitter first day of the New Year-a brave, good deed-pity he hath been doing baser ones and got himself in this sad case... I have not forgot the day, neither the hour; by reason that an hour after, upon the stroke of eleven, I did get a hiding by the hand of Gammer Canty which was of so goodly and admired severity that all that went before or followed after it were but fondlings and caresses by comparison."
Albert Bierstadt paintings
Albert Bierstadt paintings
Andreas Achenbach paintings
Alphonse Maria Mucha paintings
Benjamin Williams Leader paintings
Then he blushed scarlet, and a sort of apology sprung to his lips; but observing that his order had wrought no sort of surprise in the earl or the waiting page, he suppressed the words he was about to utter. The page, in the most matter-of-course way, made a profound obeisance and retired backward out of the room to deliver the command. Tom experienced a glow of pride and a renewed sense of the compensating advantages of the kingly office. He said to himself, "Truly it is like what I used to feel when I read the old priest's tales, and did imagine mine own self a prince, giving law and command to all, saying, " Do this, do that," while none durst offer let or hindrance to my will."
Now the doors swung open; one high-sounding title after another was announced, the personages owning them followed, and the place was quickly half filled with noble folk and finery. But Tom was hardly conscious of the presence of these people, so wrought up was he and so intensely absorbed in that other and more interesting matter. He seated himself, absently, in his chair of state, and turned his eyes upon the door with manifestations of impatient expectancy; seeing which, the company forbore to trouble him, and fell to chatting a mixture of public business and court gossip one with another.
Andreas Achenbach paintings
Alphonse Maria Mucha paintings
Benjamin Williams Leader paintings
Then he blushed scarlet, and a sort of apology sprung to his lips; but observing that his order had wrought no sort of surprise in the earl or the waiting page, he suppressed the words he was about to utter. The page, in the most matter-of-course way, made a profound obeisance and retired backward out of the room to deliver the command. Tom experienced a glow of pride and a renewed sense of the compensating advantages of the kingly office. He said to himself, "Truly it is like what I used to feel when I read the old priest's tales, and did imagine mine own self a prince, giving law and command to all, saying, " Do this, do that," while none durst offer let or hindrance to my will."
Now the doors swung open; one high-sounding title after another was announced, the personages owning them followed, and the place was quickly half filled with noble folk and finery. But Tom was hardly conscious of the presence of these people, so wrought up was he and so intensely absorbed in that other and more interesting matter. He seated himself, absently, in his chair of state, and turned his eyes upon the door with manifestations of impatient expectancy; seeing which, the company forbore to trouble him, and fell to chatting a mixture of public business and court gossip one with another.
Anne-Francois-Louis Janmot paintings
Anne-Francois-Louis Janmot paintings
Allan R.Banks paintings
Andrea Mantegna paintings
Arthur Hughes paintings
Then he blushed scarlet, and a sort of apology sprung to his lips; but observing that his order had wrought no sort of surprise in the earl or the waiting page, he suppressed the words he was about to utter. The page, in the most matter-of-course way, made a profound obeisance and retired backward out of the room to deliver the command. Tom experienced a glow of pride and a renewed sense of the compensating advantages of the kingly office. He said to himself, "Truly it is like what I used to feel when I read the old priest's tales, and did imagine mine own self a prince, giving law and command to all, saying, " Do this, do that," while none durst offer let or hindrance to my will."
Now the doors swung open; one high-sounding title after another was announced, the personages owning them followed, and the place was quickly half filled with noble folk and finery. But Tom was hardly conscious of the presence of these people, so wrought up was he and so intensely absorbed in that other and more interesting matter. He seated himself, absently, in his chair of state, and turned his eyes upon the door with manifestations of impatient expectancy; seeing which, the company forbore to trouble him, and fell to chatting a mixture of public business and court gossip one with another.
Allan R.Banks paintings
Andrea Mantegna paintings
Arthur Hughes paintings
Then he blushed scarlet, and a sort of apology sprung to his lips; but observing that his order had wrought no sort of surprise in the earl or the waiting page, he suppressed the words he was about to utter. The page, in the most matter-of-course way, made a profound obeisance and retired backward out of the room to deliver the command. Tom experienced a glow of pride and a renewed sense of the compensating advantages of the kingly office. He said to himself, "Truly it is like what I used to feel when I read the old priest's tales, and did imagine mine own self a prince, giving law and command to all, saying, " Do this, do that," while none durst offer let or hindrance to my will."
Now the doors swung open; one high-sounding title after another was announced, the personages owning them followed, and the place was quickly half filled with noble folk and finery. But Tom was hardly conscious of the presence of these people, so wrought up was he and so intensely absorbed in that other and more interesting matter. He seated himself, absently, in his chair of state, and turned his eyes upon the door with manifestations of impatient expectancy; seeing which, the company forbore to trouble him, and fell to chatting a mixture of public business and court gossip one with another.
Tuesday, May 20, 2008
John William Godward paintings
John William Godward paintings
John William Waterhouse paintings
John Singer Sargent paintings
Jean-Leon Gerome paintings
hidden in her breast would have seemed to her, on the whole, a natural thing, but that Bunting should even dimly suspect it appeared beyond the range of possibility.
And yet even Daisy noticed a change in her father. He sat cowering over the fire - saying nothing, doing nothing.
"Why, father, ain't you well?" the girl asked more than once.
And, looking up, he would answer, "Yes, I'm well enough, nay girl, but I feels cold. It's awful cold. I never did feel anything like the cold we've got just now."
At eight the now familiar shouts and cries began again outside.
"The Avenger again!" "Another horrible crime!" "Extra speshul edition!" - such were the shouts, the exultant yells, hurled through the clear, cold air. They fell, like bombs into the quiet room.
Both Bunting and his wife remained silent, but Daisy's cheeks grew pink with excitement, and her eye sparkled.
"Hark, father! Hark, Ellen! D'you hear that?" she exclaimed childishly, and even clapped her hands. "I do wish Mr. Chandler had been here. He would 'a been startled!"
John William Waterhouse paintings
John Singer Sargent paintings
Jean-Leon Gerome paintings
hidden in her breast would have seemed to her, on the whole, a natural thing, but that Bunting should even dimly suspect it appeared beyond the range of possibility.
And yet even Daisy noticed a change in her father. He sat cowering over the fire - saying nothing, doing nothing.
"Why, father, ain't you well?" the girl asked more than once.
And, looking up, he would answer, "Yes, I'm well enough, nay girl, but I feels cold. It's awful cold. I never did feel anything like the cold we've got just now."
At eight the now familiar shouts and cries began again outside.
"The Avenger again!" "Another horrible crime!" "Extra speshul edition!" - such were the shouts, the exultant yells, hurled through the clear, cold air. They fell, like bombs into the quiet room.
Both Bunting and his wife remained silent, but Daisy's cheeks grew pink with excitement, and her eye sparkled.
"Hark, father! Hark, Ellen! D'you hear that?" she exclaimed childishly, and even clapped her hands. "I do wish Mr. Chandler had been here. He would 'a been startled!"
John Everett Millais paintings
John Everett Millais paintings
James Jacques Joseph Tissot paintings
Jules Joseph Lefebvre paintings
Jean Auguste Dominique Ingres paintings
Better come up out of that cold kitchen."
He turned and came back to his wife. "Ellen, is the lodger in? I haven't heard him moving about. Now mind what I says, please! I don't want Daisy to be mixed up with him."
"Mr. Sleuth don't seem very well to-day," answered Mrs. Bunting quietly. "'Tain't likely I should let Daisy have anything to do with him. Why, she's never even seen him. 'Tain't likely I should allow her to begin waiting on him now."
But though she was surprised and a little irritated by the tone in which Bunting had spoken, no glimmer of the truth illumined her mind. So accustomed had she become to bearing alone the burden of her awful secret, that it would have required far more than a cross word or two, far more than the fact that Bunting looked ill and tired, for her to have come to suspect that her secret was now shared by another, and that other her husband.
Again and again the poor soul had agonised and trembled at the thought of her house being invaded by the police, but that was only because she had always credited the police with supernatural powers of detection. That they should come to know the awful fact she kept
James Jacques Joseph Tissot paintings
Jules Joseph Lefebvre paintings
Jean Auguste Dominique Ingres paintings
Better come up out of that cold kitchen."
He turned and came back to his wife. "Ellen, is the lodger in? I haven't heard him moving about. Now mind what I says, please! I don't want Daisy to be mixed up with him."
"Mr. Sleuth don't seem very well to-day," answered Mrs. Bunting quietly. "'Tain't likely I should let Daisy have anything to do with him. Why, she's never even seen him. 'Tain't likely I should allow her to begin waiting on him now."
But though she was surprised and a little irritated by the tone in which Bunting had spoken, no glimmer of the truth illumined her mind. So accustomed had she become to bearing alone the burden of her awful secret, that it would have required far more than a cross word or two, far more than the fact that Bunting looked ill and tired, for her to have come to suspect that her secret was now shared by another, and that other her husband.
Again and again the poor soul had agonised and trembled at the thought of her house being invaded by the police, but that was only because she had always credited the police with supernatural powers of detection. That they should come to know the awful fact she kept
Jean-Paul Laurens paintings
Jean-Paul Laurens paintings
Jules Breton paintings
Johannes Vermeer paintings
Jacques-Louis David paintings
Chandler shook his head despondently. "No," he said, "I'm inclined to think the Yard was on a wrong tack altogether this time. But one can only do one's best. I don't know if Mrs. Bunting told you I'd got to question a barmaid about a man who was in her place just before closing-time. Well, she's said all she knew, and it's as clear as daylight to me that the eccentric old gent she talks about was only a harmless luny. He gave her a sovereign just because she told him she was a teetotaller!" He laughed ruefully.
Even Bunting was diverted at the notion. "Well, that's a queer thing for a barmaid to be!" he exclaimed. "She's niece to the people what keeps the public," explained Chandler; and then he went out of the front door with a cheerful "So long!"
When Bunting went back into the sitting-room Daisy had disappeared. She had gone downstairs with the tray. "Where's my girl?" he said irritably.
"She's just taken the tray downstairs."
He went out to the top of the kitchen stairs, and called out sharply, "Daisy! Daisy, child! Are you down there?"
"Yes, father," came her eager, happy voice.
Jules Breton paintings
Johannes Vermeer paintings
Jacques-Louis David paintings
Chandler shook his head despondently. "No," he said, "I'm inclined to think the Yard was on a wrong tack altogether this time. But one can only do one's best. I don't know if Mrs. Bunting told you I'd got to question a barmaid about a man who was in her place just before closing-time. Well, she's said all she knew, and it's as clear as daylight to me that the eccentric old gent she talks about was only a harmless luny. He gave her a sovereign just because she told him she was a teetotaller!" He laughed ruefully.
Even Bunting was diverted at the notion. "Well, that's a queer thing for a barmaid to be!" he exclaimed. "She's niece to the people what keeps the public," explained Chandler; and then he went out of the front door with a cheerful "So long!"
When Bunting went back into the sitting-room Daisy had disappeared. She had gone downstairs with the tray. "Where's my girl?" he said irritably.
"She's just taken the tray downstairs."
He went out to the top of the kitchen stairs, and called out sharply, "Daisy! Daisy, child! Are you down there?"
"Yes, father," came her eager, happy voice.
Joseph Mallord William Turner paintings
Joseph Mallord William Turner paintings
Julien Dupre paintings
Julius LeBlanc Stewart paintings
Jeffrey T.Larson paintings
It won't take me ten minutes to make myself respectable again," said the young man rather ruefully.
His host and hostess, looking at him eagerly, furtively, both came to the conclusion that he had been unsuccessful - that he had failed, that is, in getting any information worth having. And though, in a sense, they all had a pleasant tea together, there was an air of constraint, even of discomfort, over the little party.
Bunting felt it hard that he couldn't ask the questions that were trembling on his lips; he would have felt it hard any time during the last month to refrain from knowing anything Joe could tell him, but now it seemed almost intolerable to be in this queer kind of half suspense. There was one important fact he longed to know, and at last came his opportunity of doing so, for Joe Chandler rose to leave, and this time it was Bunting who followed him out into the hall.
"Where did it happen?" he whispered. "Just tell me that, Joe?"
"Primrose Hill," said the other briefly. "You'll know all about it in a minute or two, for it'll be all in the last editions of the evening papers. That's what's been arranged."
"No arrest I suppose?"
Julien Dupre paintings
Julius LeBlanc Stewart paintings
Jeffrey T.Larson paintings
It won't take me ten minutes to make myself respectable again," said the young man rather ruefully.
His host and hostess, looking at him eagerly, furtively, both came to the conclusion that he had been unsuccessful - that he had failed, that is, in getting any information worth having. And though, in a sense, they all had a pleasant tea together, there was an air of constraint, even of discomfort, over the little party.
Bunting felt it hard that he couldn't ask the questions that were trembling on his lips; he would have felt it hard any time during the last month to refrain from knowing anything Joe could tell him, but now it seemed almost intolerable to be in this queer kind of half suspense. There was one important fact he longed to know, and at last came his opportunity of doing so, for Joe Chandler rose to leave, and this time it was Bunting who followed him out into the hall.
"Where did it happen?" he whispered. "Just tell me that, Joe?"
"Primrose Hill," said the other briefly. "You'll know all about it in a minute or two, for it'll be all in the last editions of the evening papers. That's what's been arranged."
"No arrest I suppose?"
James Childs paintings
James Childs paintings
John Singleton Copley paintings
Joaquin Sorolla y Bastida paintings
Joaquin Sorolla y Bastida paintings
ll afternoon it went on snowing; and the three of them sat there, listening and waiting - Bunting and his wife hardly knew for what; Daisy for the knock which would herald Joe Chandler.
And about four there came the now familiar sound.
Mrs. Bunting hurried out into the passage, and as she opened the front door she whispered, "We haven't said anything to Daisy yet. Young girls can't keep secrets."
Chandler nodded comprehendingly. He now looked the low character he had assumed to the life, for he was blue with cold, disheartened, and tired out.
Daisy gave a little cry of shocked surprise, of amusement, of welcome, when she saw how cleverly he was disguised.
"I never!" she exclaimed. "What a difference it do make, to be sure! Why, you looks quite horrid, Mr. Chandler."
And, somehow, that little speech of hers amused her father so much that he quite cheered up. Bunting had been very dull and quiet all that afternoon.
John Singleton Copley paintings
Joaquin Sorolla y Bastida paintings
Joaquin Sorolla y Bastida paintings
ll afternoon it went on snowing; and the three of them sat there, listening and waiting - Bunting and his wife hardly knew for what; Daisy for the knock which would herald Joe Chandler.
And about four there came the now familiar sound.
Mrs. Bunting hurried out into the passage, and as she opened the front door she whispered, "We haven't said anything to Daisy yet. Young girls can't keep secrets."
Chandler nodded comprehendingly. He now looked the low character he had assumed to the life, for he was blue with cold, disheartened, and tired out.
Daisy gave a little cry of shocked surprise, of amusement, of welcome, when she saw how cleverly he was disguised.
"I never!" she exclaimed. "What a difference it do make, to be sure! Why, you looks quite horrid, Mr. Chandler."
And, somehow, that little speech of hers amused her father so much that he quite cheered up. Bunting had been very dull and quiet all that afternoon.
oil painting from picture
oil painting from picture
'Course I will," he said eagerly. "You just come in and sit down, my dear. Don't trouble to take your things off now - wait till you've had tea."
And she obeyed him. "Where's Daisy?" she asked suddenly. "I thought the girl would be back by the time I got home."
"She ain't coming home to-day" - there was an odd, sly, smiling look on Bunting's face.
"Did she send a telegram?" asked Mrs. Bunting.
"No. Young Chandler's just come in and told me. He's been over there and, - would you believe it, Ellen? - he's managed to make friends with Margaret. Wonderful what love will do, ain't it? He went over there just to help Daisy carry her bag back, you know, and then Margaret told him that her lady had sent her some money to go to the play, and she actually asked Joe to go with them this evening - she and Daisy - to the pantomime. Did you ever hear o' such a thing?"
"Very nice for them, I'm sure," said Mrs. Bunting absently. But she was pleased - pleased to have her mind taken off herself. "Then when is that girl coming home?" she asked patiently.
'Course I will," he said eagerly. "You just come in and sit down, my dear. Don't trouble to take your things off now - wait till you've had tea."
And she obeyed him. "Where's Daisy?" she asked suddenly. "I thought the girl would be back by the time I got home."
"She ain't coming home to-day" - there was an odd, sly, smiling look on Bunting's face.
"Did she send a telegram?" asked Mrs. Bunting.
"No. Young Chandler's just come in and told me. He's been over there and, - would you believe it, Ellen? - he's managed to make friends with Margaret. Wonderful what love will do, ain't it? He went over there just to help Daisy carry her bag back, you know, and then Margaret told him that her lady had sent her some money to go to the play, and she actually asked Joe to go with them this evening - she and Daisy - to the pantomime. Did you ever hear o' such a thing?"
"Very nice for them, I'm sure," said Mrs. Bunting absently. But she was pleased - pleased to have her mind taken off herself. "Then when is that girl coming home?" she asked patiently.
Sunday, May 18, 2008
picture of the last supper
picture of the last supper
What d'you mean?" he said. "I daresay I'm a bit slow, Ellen, but I really don't know what you'd be at?"
"Don't you remember telling me before Daisy came here that Joe Chandler had become sweet on her last summer? I thought it only foolishness then, but I've come round to your view - that's all."
Bunting nodded his head slowly. Yes, Joe had got into the way of coming very often, and there had been the expedition to that gruesome Scotland Yard museum, but somehow he, Bunting, had been so interested in the Avenger murders that he hadn't thought of Joe in any other connection - not this time, at any rate.
"And do you think Daisy likes him?" There was an unwonted tone of excitement, of tenderness, in Bunting's voice.
His wife looked over at him; and a thin smile, not an unkindly smile by any means, lit up her pale face. "I've never been one to prophesy," she answered deliberately. "But this I don't mind telling you, Bunting - Daisy'll have plenty o' time to get tired of Joe Chandler before they two are dead. Mark my words!"
What d'you mean?" he said. "I daresay I'm a bit slow, Ellen, but I really don't know what you'd be at?"
"Don't you remember telling me before Daisy came here that Joe Chandler had become sweet on her last summer? I thought it only foolishness then, but I've come round to your view - that's all."
Bunting nodded his head slowly. Yes, Joe had got into the way of coming very often, and there had been the expedition to that gruesome Scotland Yard museum, but somehow he, Bunting, had been so interested in the Avenger murders that he hadn't thought of Joe in any other connection - not this time, at any rate.
"And do you think Daisy likes him?" There was an unwonted tone of excitement, of tenderness, in Bunting's voice.
His wife looked over at him; and a thin smile, not an unkindly smile by any means, lit up her pale face. "I've never been one to prophesy," she answered deliberately. "But this I don't mind telling you, Bunting - Daisy'll have plenty o' time to get tired of Joe Chandler before they two are dead. Mark my words!"
the last supper painting
the last supper painting
And then, with victory actually in her grasp, poor Daisy saw it snatched from her.
"Ellen is right," Bunting said heavily. "Money does matter - a terrible deal-though I never thought to hear Ellen say 'twas the only thing that mattered. But 'twould be foolish - very, very foolish, my girl, to offend your Aunt Margaret. It'll only be two days after all - two days isn't a very long time."
But Daisy did not hear her father's last words. She had already rushed from the room, and gone down to the kitchen to hide her childish tears of disappointment - the childish tears which came because she was beginning to be a woman, with a woman's natural instinct for building her own human nest.
Aunt Margaret was not one to tolerate the comings of any strange young man, and she had a peculiar dislike to the police.
"Who'd ever have thought she'd have minded as much as that!" Bunting looked across at Ellen deprecatingly; already his heart was misgiving him.
"It's plain enough why she's become so fond of us all of a sudden," said Mrs. Bunting sarcastically. And as her husband stared at her uncomprehendingly, she added, in a tantalising tone, "as plain as the nose on your face, my man."
And then, with victory actually in her grasp, poor Daisy saw it snatched from her.
"Ellen is right," Bunting said heavily. "Money does matter - a terrible deal-though I never thought to hear Ellen say 'twas the only thing that mattered. But 'twould be foolish - very, very foolish, my girl, to offend your Aunt Margaret. It'll only be two days after all - two days isn't a very long time."
But Daisy did not hear her father's last words. She had already rushed from the room, and gone down to the kitchen to hide her childish tears of disappointment - the childish tears which came because she was beginning to be a woman, with a woman's natural instinct for building her own human nest.
Aunt Margaret was not one to tolerate the comings of any strange young man, and she had a peculiar dislike to the police.
"Who'd ever have thought she'd have minded as much as that!" Bunting looked across at Ellen deprecatingly; already his heart was misgiving him.
"It's plain enough why she's become so fond of us all of a sudden," said Mrs. Bunting sarcastically. And as her husband stared at her uncomprehendingly, she added, in a tantalising tone, "as plain as the nose on your face, my man."
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What the child says is true," he observed. "It isn't as if you was quite well. You've been took bad twice in the last few days - you can't deny of it, Ellen. Why shouldn't I just take a bus and go over and see Margaret? I'd tell her just how it is. She'd understand, bless you!"
"I won't have you doing nothing of the sort!" cried Mrs. Bunting, speaking almost as passionately as her stepdaughter had done. "Haven't I a right to be ill, haven't I a right to be took bad, aye, and to feel all right again - same as other people?"
Daisy turned round and clasped her hands. "Oh,
Ellen!" she cried; "do say that you can't spare me! I don't want to go across to that horrid old dungeon of a place."
"Do as you like," said Mrs. Bunting sullenly. "I'm fair tired of you both! There'll come a day, Daisy, when you'll know, like me, that money is the main thing that matters in this world; and when your Aunt Margaret's left her savings to somebody else just because you wouldn't spend a few days with her this Christmas, then you'll know what it's like to go without - you'll know what a fool you were, and that nothing can't alter it any more!"
What the child says is true," he observed. "It isn't as if you was quite well. You've been took bad twice in the last few days - you can't deny of it, Ellen. Why shouldn't I just take a bus and go over and see Margaret? I'd tell her just how it is. She'd understand, bless you!"
"I won't have you doing nothing of the sort!" cried Mrs. Bunting, speaking almost as passionately as her stepdaughter had done. "Haven't I a right to be ill, haven't I a right to be took bad, aye, and to feel all right again - same as other people?"
Daisy turned round and clasped her hands. "Oh,
Ellen!" she cried; "do say that you can't spare me! I don't want to go across to that horrid old dungeon of a place."
"Do as you like," said Mrs. Bunting sullenly. "I'm fair tired of you both! There'll come a day, Daisy, when you'll know, like me, that money is the main thing that matters in this world; and when your Aunt Margaret's left her savings to somebody else just because you wouldn't spend a few days with her this Christmas, then you'll know what it's like to go without - you'll know what a fool you were, and that nothing can't alter it any more!"
Rembrandt Painting
Rembrandt Painting
An invitation had come to Daisy - an invitation from her own dead mother's sister, who was housekeeper in a big house in Belgrave Square. "The family" had gone away for the Christmas holidays, and Aunt Margaret - Daisy was her godchild - had begged that her niece might come and spend two or three days with her.
But the girl had already had more than one taste of what life was like in the great gloomy basement of 100 Belgrave Square. Aunt Margaret was one of those old-fashioned servants for whom the modern employer is always sighing. While "the family" were away it was her joy - she regarded it as a privilege - to wash sixty-seven pieces of very valuable china contained in two cabinets in the drawing-room; she also slept in every bed by turns, to keep them all well aired. These were the two duties with which she intended her young niece to assist her, and Daisy's soul sickened at the prospect.
But the matter had to be settled at once. The letter had come an hour ago, containing a stamped telegraph form, and Aunt Margaret was not one to be trifled with.
Since breakfast the three had talked of nothing else, and from the very first Mrs. Bunting had said that Daisy ought to go - that there was no doubt about it, that it did not admit of discussion. But discuss it they all did, and for once Bunting stood up to his wife. But that, as was natural, only made his Ellen harder and more set on her own view.
An invitation had come to Daisy - an invitation from her own dead mother's sister, who was housekeeper in a big house in Belgrave Square. "The family" had gone away for the Christmas holidays, and Aunt Margaret - Daisy was her godchild - had begged that her niece might come and spend two or three days with her.
But the girl had already had more than one taste of what life was like in the great gloomy basement of 100 Belgrave Square. Aunt Margaret was one of those old-fashioned servants for whom the modern employer is always sighing. While "the family" were away it was her joy - she regarded it as a privilege - to wash sixty-seven pieces of very valuable china contained in two cabinets in the drawing-room; she also slept in every bed by turns, to keep them all well aired. These were the two duties with which she intended her young niece to assist her, and Daisy's soul sickened at the prospect.
But the matter had to be settled at once. The letter had come an hour ago, containing a stamped telegraph form, and Aunt Margaret was not one to be trifled with.
Since breakfast the three had talked of nothing else, and from the very first Mrs. Bunting had said that Daisy ought to go - that there was no doubt about it, that it did not admit of discussion. But discuss it they all did, and for once Bunting stood up to his wife. But that, as was natural, only made his Ellen harder and more set on her own view.
Mary Cassatt painting
Mary Cassatt painting
Never knew so quiet and well-behaved a gentleman," said Bunting. "He turned our luck, did Mr. Sleuth."
His wife left the room, and after she had gone Daisy laughed. "You'll hardly believe it, Mr. Chandler, but I've never seen this wonderful lodger. Ellen keeps him to herself, that she does! If I was father I'd be jealous!"
Both men laughed. Ellen? No, the idea was too funnyll I can say is, I think Daisy ought to go. One can't always do just what one wants to do - not in this world, at any rate!"
Mrs. Bunting did not seem to be addressing anyone in particular, though both her husband and her stepdaughter were in the room. She was standing by the table, staring straight before her, and as she spoke she avoided looking at either Bunting or Daisy. There was in her voice a tone of cross decision, of thin finality, with which they were both acquainted, and to which each listener knew the other would have to bow.
There was silence for a moment, then Daisy broke out passionately, "I don't see why I should go if I don't want to!" she cried. "You'll allow I've been useful to you, Ellen? 'Tisn't even as if you was quite well."
"I am quite well - perfectly well!" snapped out Mrs. Bunting, and she turned her pale, drawn face, and looked angrily at her stepdaughter.
"'Tain't often I has a chance of being with you and father." There were tears in Daisy's voice, and Bunting glanced deprecatingly at his wife.
Never knew so quiet and well-behaved a gentleman," said Bunting. "He turned our luck, did Mr. Sleuth."
His wife left the room, and after she had gone Daisy laughed. "You'll hardly believe it, Mr. Chandler, but I've never seen this wonderful lodger. Ellen keeps him to herself, that she does! If I was father I'd be jealous!"
Both men laughed. Ellen? No, the idea was too funnyll I can say is, I think Daisy ought to go. One can't always do just what one wants to do - not in this world, at any rate!"
Mrs. Bunting did not seem to be addressing anyone in particular, though both her husband and her stepdaughter were in the room. She was standing by the table, staring straight before her, and as she spoke she avoided looking at either Bunting or Daisy. There was in her voice a tone of cross decision, of thin finality, with which they were both acquainted, and to which each listener knew the other would have to bow.
There was silence for a moment, then Daisy broke out passionately, "I don't see why I should go if I don't want to!" she cried. "You'll allow I've been useful to you, Ellen? 'Tisn't even as if you was quite well."
"I am quite well - perfectly well!" snapped out Mrs. Bunting, and she turned her pale, drawn face, and looked angrily at her stepdaughter.
"'Tain't often I has a chance of being with you and father." There were tears in Daisy's voice, and Bunting glanced deprecatingly at his wife.
Thursday, May 15, 2008
monet painting
monet painting
Mrs. Bunting had had some sinister experiences with men and women - especially women - drawn from that nameless, mysterious class made up of the human flotsam and jetsam which drifts about every great city. But since she had taken to leaving the gas in the passage unlit at night she had been very little troubled with that kind of visitors, those human bats which are attracted by any kind of light but leave alone those who live in darkness.
She opened the door of the sitting-room. It was Bunting's place to go to the front door, but she knew far better than he did how to deal with difficult or obtrusive callers. Still, somehow, she would have liked him to go to-night. But Bunting sat on, absorbed in his newspaper; all he did at the sound of the bedroom door opening was to look up and say, "Didn't you hear a knock?"
Without answering his question she went out into the hall.
Slowly she opened the front door.
Mrs. Bunting had had some sinister experiences with men and women - especially women - drawn from that nameless, mysterious class made up of the human flotsam and jetsam which drifts about every great city. But since she had taken to leaving the gas in the passage unlit at night she had been very little troubled with that kind of visitors, those human bats which are attracted by any kind of light but leave alone those who live in darkness.
She opened the door of the sitting-room. It was Bunting's place to go to the front door, but she knew far better than he did how to deal with difficult or obtrusive callers. Still, somehow, she would have liked him to go to-night. But Bunting sat on, absorbed in his newspaper; all he did at the sound of the bedroom door opening was to look up and say, "Didn't you hear a knock?"
Without answering his question she went out into the hall.
Slowly she opened the front door.
oil painting for sale
oil painting for sale
husband ought to have done. e had just gone out and done it. And she had not had the heart to say anything; nay, it was with part of the money that he had handed her silently the evening he did it that she had bought that last packet of tobacco.
And then, as Mrs. Bunting sat there thinking these painful thoughts, there suddenly came to the front door the sound of a loud, tremulous, uncertain double knock. r. Bunting jumped nervously to her feet. She stood for a moment listening in the darkness, a darkness made the blacker by the line of light under the door behind which sat Bunting reading his paper.
And then it came again, that loud, tremulous, uncertain double knock; not a knock, so the listener told herself, that boded any good. Would-be lodgers gave sharp, quick, bold, confident raps. No; this must be some kind of beggar. The queerest people came at all hours, and asked - whining or threatening - for money.
husband ought to have done. e had just gone out and done it. And she had not had the heart to say anything; nay, it was with part of the money that he had handed her silently the evening he did it that she had bought that last packet of tobacco.
And then, as Mrs. Bunting sat there thinking these painful thoughts, there suddenly came to the front door the sound of a loud, tremulous, uncertain double knock. r. Bunting jumped nervously to her feet. She stood for a moment listening in the darkness, a darkness made the blacker by the line of light under the door behind which sat Bunting reading his paper.
And then it came again, that loud, tremulous, uncertain double knock; not a knock, so the listener told herself, that boded any good. Would-be lodgers gave sharp, quick, bold, confident raps. No; this must be some kind of beggar. The queerest people came at all hours, and asked - whining or threatening - for money.
painting in oil
painting in oil
After that, instead of going back to service, as they might have done, perhaps, either together or separately, they had made up their minds to make one last effort, and they had taken over, with the trifle of money that remained to them, the lease of this house in the Marylebone Road.
In former days, when they had each been leading the sheltered, impersonal, and, above all, financially easy existence which is the compensation life offers to those men and women who deliberately take upon themselves the yoke of domestic service, they had both lived in houses overlooking Regent's Park. It had seemed a wise plan to settle in the same neighbourhood, the more so that Bunting, who had a good appearance, had retained the kind of connection which enables a man to get a job now and again as waiter at private parties.
But life moves quickly, jaggedly, for people like the Buntings. Two of his former masters had moved to another part of London, and a caterer in Baker Street whom he had known went bankrupt.
And now? Well, just now Bunting could not have taken a job had one been offered him, for he had pawned his dress clothes. He had not asked his wife's permission to do this, as so good
After that, instead of going back to service, as they might have done, perhaps, either together or separately, they had made up their minds to make one last effort, and they had taken over, with the trifle of money that remained to them, the lease of this house in the Marylebone Road.
In former days, when they had each been leading the sheltered, impersonal, and, above all, financially easy existence which is the compensation life offers to those men and women who deliberately take upon themselves the yoke of domestic service, they had both lived in houses overlooking Regent's Park. It had seemed a wise plan to settle in the same neighbourhood, the more so that Bunting, who had a good appearance, had retained the kind of connection which enables a man to get a job now and again as waiter at private parties.
But life moves quickly, jaggedly, for people like the Buntings. Two of his former masters had moved to another part of London, and a caterer in Baker Street whom he had known went bankrupt.
And now? Well, just now Bunting could not have taken a job had one been offered him, for he had pawned his dress clothes. He had not asked his wife's permission to do this, as so good
animal painting
animal painting
Never, never had she felt so hopeless, so - so broken as now. Where was the good of having been an upright, conscientious, self-respecting woman all her life long, if it only led to this utter, degrading poverty and wretchedness? She and Bunting were just past the age which gentlefolk think proper in a married couple seeking to enter service together, unless, that is, the wife happens to be a professed cook. A cook and a butler can always get a nice situation. But Mrs. Bunting was no cook. She could do all right the simple things any lodger she might get would require, but that was all.
Lodgers? How foolish she had been to think of taking lodgers! For it had been her doing. Bunting bad been like butter in her hands.
Yet they had begun well, with a lodging-house in a seaside place. There they had prospered, not as they had hoped to do, but still pretty well; and then had come an epidemic of scarlet fever, and that had meant ruin for them, and for dozens, nay, hundreds, of other luckless people. Then had followed a business experiment which had proved even more disastrous, and which had left them in debt - in debt to an extent they could never hope to repay, to a good-natured former employer.
Never, never had she felt so hopeless, so - so broken as now. Where was the good of having been an upright, conscientious, self-respecting woman all her life long, if it only led to this utter, degrading poverty and wretchedness? She and Bunting were just past the age which gentlefolk think proper in a married couple seeking to enter service together, unless, that is, the wife happens to be a professed cook. A cook and a butler can always get a nice situation. But Mrs. Bunting was no cook. She could do all right the simple things any lodger she might get would require, but that was all.
Lodgers? How foolish she had been to think of taking lodgers! For it had been her doing. Bunting bad been like butter in her hands.
Yet they had begun well, with a lodging-house in a seaside place. There they had prospered, not as they had hoped to do, but still pretty well; and then had come an epidemic of scarlet fever, and that had meant ruin for them, and for dozens, nay, hundreds, of other luckless people. Then had followed a business experiment which had proved even more disastrous, and which had left them in debt - in debt to an extent they could never hope to repay, to a good-natured former employer.
canvas painting
canvas painting
But her hands trembled - they trembled with excitement, with self-pity, with anger. A penny? It was dreadful - dreadful to have to worry about a penny! But they had come to the point when one has to worry about pennies. Strange that her husband didn't realise that.
Bunting looked round once or twice; he would have liked to ask Ellen to leave off fidgeting, but he was fond of peace, and perhaps, by now, a little bit ashamed of himself, so he refrained from remark, and she soon gave over what irritated him of her own accord.
But Mrs. Bunting did not come and sit down as her husband would have liked her to do. The sight of him, absorbed in his paper as he was, irritated her, and made her long to get away from him. Opening the door which separated the sitting-room from the bedroom behind, and - shutting out the aggravating vision of Bunting sitting comfortably by the now brightly burning fire, with the Evening Standard spread out before him - she sat down in the cold darkness, and pressed her hands against her temples.
But her hands trembled - they trembled with excitement, with self-pity, with anger. A penny? It was dreadful - dreadful to have to worry about a penny! But they had come to the point when one has to worry about pennies. Strange that her husband didn't realise that.
Bunting looked round once or twice; he would have liked to ask Ellen to leave off fidgeting, but he was fond of peace, and perhaps, by now, a little bit ashamed of himself, so he refrained from remark, and she soon gave over what irritated him of her own accord.
But Mrs. Bunting did not come and sit down as her husband would have liked her to do. The sight of him, absorbed in his paper as he was, irritated her, and made her long to get away from him. Opening the door which separated the sitting-room from the bedroom behind, and - shutting out the aggravating vision of Bunting sitting comfortably by the now brightly burning fire, with the Evening Standard spread out before him - she sat down in the cold darkness, and pressed her hands against her temples.
Wednesday, May 14, 2008
famous art painting
famous art painting
Rouletabille looked at me pityingly, smiled carelessly, and remarked that I was reasoning like a postman, or - like Frederic Larsan.
Rouletabille had alternate fits of admiration and disdain for the great Fred. It all depended as to whether Larsan's discoveries tallied with Rouletabille's reasoning or not. When they did he would exclaim: "He is really great!" When they did not he would grunt and mutter, "What an ass!" It was a petty side of the noble character of this strange youth.
We had risen, and he led me into the park. When we reached the court and were making towards the gate, the sound of blinds thrown back against the wall made us turn our heads, and we saw, at a window on the first floor of the chateau, the ruddy and clean shaven face of a person I did not recognise.
"Hullo!" muttered Rouletabille. "Arthur Rance!" - He lowered his head, quickened his pace, and I heard him ask himself between his eeth: "Was he in the chateau that night? What is hedoing here?"
We had gone some distance from the chateau when I asked him who this Arthur Rance was, and how he had come to know him. He referred to his story of that morning and I remembered that Mr. Arthur W. Rance was the American from Philadelphia with whom he had had so many drinks at the Elysee reception.
Rouletabille looked at me pityingly, smiled carelessly, and remarked that I was reasoning like a postman, or - like Frederic Larsan.
Rouletabille had alternate fits of admiration and disdain for the great Fred. It all depended as to whether Larsan's discoveries tallied with Rouletabille's reasoning or not. When they did he would exclaim: "He is really great!" When they did not he would grunt and mutter, "What an ass!" It was a petty side of the noble character of this strange youth.
We had risen, and he led me into the park. When we reached the court and were making towards the gate, the sound of blinds thrown back against the wall made us turn our heads, and we saw, at a window on the first floor of the chateau, the ruddy and clean shaven face of a person I did not recognise.
"Hullo!" muttered Rouletabille. "Arthur Rance!" - He lowered his head, quickened his pace, and I heard him ask himself between his eeth: "Was he in the chateau that night? What is hedoing here?"
We had gone some distance from the chateau when I asked him who this Arthur Rance was, and how he had come to know him. He referred to his story of that morning and I remembered that Mr. Arthur W. Rance was the American from Philadelphia with whom he had had so many drinks at the Elysee reception.
abstract art painting
abstract art painting
This lad's brain was one of the most curious things I have ever observed. Rouletabille went on the even tenor of his way without suspecting the astonishment and even bewilderment he roused in others. I am sure he was not himself in the least conscious of the originality of his genius. He was himself and at ease wherever he happened to be.
When he had finished his recital he asked me what I thought of it. I replied that I was much puzzled by his question. Then he begged me to try, in my turn, to take my reason in hand "by the right end."
"Very well," I said. "It seems to me that the point of departure of my reason would be this - there can be no doubt that the murderer you pursued was in the gallery." I paused.
"After making so good a start, you ought not to stop so soon," he exclaimed. "Come, make another effort."
"I'll try. Since he disappeared from the gallery without passing through any door or window, he must have escaped by some other opening."
This lad's brain was one of the most curious things I have ever observed. Rouletabille went on the even tenor of his way without suspecting the astonishment and even bewilderment he roused in others. I am sure he was not himself in the least conscious of the originality of his genius. He was himself and at ease wherever he happened to be.
When he had finished his recital he asked me what I thought of it. I replied that I was much puzzled by his question. Then he begged me to try, in my turn, to take my reason in hand "by the right end."
"Very well," I said. "It seems to me that the point of departure of my reason would be this - there can be no doubt that the murderer you pursued was in the gallery." I paused.
"After making so good a start, you ought not to stop so soon," he exclaimed. "Come, make another effort."
"I'll try. Since he disappeared from the gallery without passing through any door or window, he must have escaped by some other opening."
art work painting
art work painting
was not until later that Rouletabille sent me the note-book in which he had written at length the story of the phenomenon of the inexplicable gallery. On the day I arrived at the Glandier and joined him in his room, he recounted to me, with the greatest detail, all that I have now related, telling me also how he had spent several hours in Paris where he had learned nothing that could be of any help to him.
The event of the inexplicable gallery had occurred on the night etween the 29th and 30th of October, that is to say, three days before my return to the chateau. It was on the 2nd of November, then, that I went back to the Glandier, summoned there by my friend's telegram, and taking the revolvers with me.
I am now in Rouletabille's room and he has finished his recital.
While he had been telling me the story I noticed him continually rubbing the glass of the eyeglasses he had found on the side table. >From the evident pleasure he was taking in handling them I felt they must be one of those sensible evidences destined to enter what he had called the circle of the right end of his reason. That strange and unique way of his, to express himself in terms wonderfully adequate for his thoughts, no longer surprised me. It was often necessary to know his thought to understand the terms he used; and it was not easy to penetrate into Rouletabille's thinking.
was not until later that Rouletabille sent me the note-book in which he had written at length the story of the phenomenon of the inexplicable gallery. On the day I arrived at the Glandier and joined him in his room, he recounted to me, with the greatest detail, all that I have now related, telling me also how he had spent several hours in Paris where he had learned nothing that could be of any help to him.
The event of the inexplicable gallery had occurred on the night etween the 29th and 30th of October, that is to say, three days before my return to the chateau. It was on the 2nd of November, then, that I went back to the Glandier, summoned there by my friend's telegram, and taking the revolvers with me.
I am now in Rouletabille's room and he has finished his recital.
While he had been telling me the story I noticed him continually rubbing the glass of the eyeglasses he had found on the side table. >From the evident pleasure he was taking in handling them I felt they must be one of those sensible evidences destined to enter what he had called the circle of the right end of his reason. That strange and unique way of his, to express himself in terms wonderfully adequate for his thoughts, no longer surprised me. It was often necessary to know his thought to understand the terms he used; and it was not easy to penetrate into Rouletabille's thinking.
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african art painting
Be of good courage, then, friend Rouletabille; it is impossible that the incident of the inexplicable gallery should be outside the circle of your reason. You know that! Then have faith and take thought with yourself and forget not that you took hold of the right end when you drew that circle in your brain within which to unravel this mysterious play of circumstance.
"To it, once again! Go - back to the gallery. Take your stand on your reason and rest there as Frederic Larsan rests on his cane. You will then soon prove that the great Fred is nothing but a fool. - 30th October. Noon. JOSEPH ROULETABILLE."
"I acted as I planned. With head on fire, I retraced my way to the gallery, and without having found anything more than I had seen on the previous night, the right hold I had taken of my reason drew me to something so important that I was obliged to cling to it to save myself from falling.
"Now for the strength and patience to find sensible traces to fit in with my thinking - and these must come within the circle I have drawn between the two bumps on my forehead! - 30th of October. Midnight." "JOSEPH ROULETABILLE."
Be of good courage, then, friend Rouletabille; it is impossible that the incident of the inexplicable gallery should be outside the circle of your reason. You know that! Then have faith and take thought with yourself and forget not that you took hold of the right end when you drew that circle in your brain within which to unravel this mysterious play of circumstance.
"To it, once again! Go - back to the gallery. Take your stand on your reason and rest there as Frederic Larsan rests on his cane. You will then soon prove that the great Fred is nothing but a fool. - 30th October. Noon. JOSEPH ROULETABILLE."
"I acted as I planned. With head on fire, I retraced my way to the gallery, and without having found anything more than I had seen on the previous night, the right hold I had taken of my reason drew me to something so important that I was obliged to cling to it to save myself from falling.
"Now for the strength and patience to find sensible traces to fit in with my thinking - and these must come within the circle I have drawn between the two bumps on my forehead! - 30th of October. Midnight." "JOSEPH ROULETABILLE."
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fine art oil painting
If I could but find a right starting-point! In despair I seated myself on a stone. For over an hour I busied myself with the common, ordinary work of a policeman. Like the least intelligent of detectives I went on blindly over the traces of footprints which told me just no more than they could.
"I came to the conclusion that I was a fool, lower in the scale of intelligence than even the police of the modern romancer. Novelists build mountains of stupidity out of a footprint on the sand, or from an impression of a hand on the wall. That's the way innocent men are brought to prison. It might convince an examining magistrate or the head of a detective department, but it's not proof. You writers forget that what the senses furnish is not proof. If I am taking cognisance of what is offered me by my senses I do so but to bring the results within the circle of my reason. That circle may be the most circumscribed, but if it is, it has this advantage - it holds nothing but the truth! Yes, I swear that I have never used the evidence of the senses but as servants to my reason. I have never permitted them to become my master. They have not made of me that monstrous thing, - worse than a blind man, - a man who sees falsely. And that is why I can triumph over your error and your merely animal intelligence, Frederic Larsan.
If I could but find a right starting-point! In despair I seated myself on a stone. For over an hour I busied myself with the common, ordinary work of a policeman. Like the least intelligent of detectives I went on blindly over the traces of footprints which told me just no more than they could.
"I came to the conclusion that I was a fool, lower in the scale of intelligence than even the police of the modern romancer. Novelists build mountains of stupidity out of a footprint on the sand, or from an impression of a hand on the wall. That's the way innocent men are brought to prison. It might convince an examining magistrate or the head of a detective department, but it's not proof. You writers forget that what the senses furnish is not proof. If I am taking cognisance of what is offered me by my senses I do so but to bring the results within the circle of my reason. That circle may be the most circumscribed, but if it is, it has this advantage - it holds nothing but the truth! Yes, I swear that I have never used the evidence of the senses but as servants to my reason. I have never permitted them to become my master. They have not made of me that monstrous thing, - worse than a blind man, - a man who sees falsely. And that is why I can triumph over your error and your merely animal intelligence, Frederic Larsan.
Tuesday, May 13, 2008
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african art painting
It's answering," he said at length. "I must kill it. It is too wicked, but it's the Bete du bon Dieu, and, every night, it goes to pray on the tomb of Sainte-Genevieve and nobody dares to touch her, for fear that Mother Angenoux should cast an evil spell on them."
"How big is the Bete du bon Dieu?"
"Nearly as big as a small retriever, - a monster, I tell you. Ah! - I have asked myself more than once whether it was not her that took our poor Mademoiselle by the throat with her claws. But the Bete du bon Dieu does not wear hobnailed boots, nor fire revolvers, nor has she a hand like that!" exclaimed Daddy Jacques, again pointing out to us the red mark on the wall. "Besides, we should have seen her as well as we would have seen a man -"
"Evidently," I said. "Before we had seen this Yellow Room, I had also asked myself whether the cat of Mother Angenoux -"
"You also!" cried Rouletabille.
"Didn't you?" I asked.
It's answering," he said at length. "I must kill it. It is too wicked, but it's the Bete du bon Dieu, and, every night, it goes to pray on the tomb of Sainte-Genevieve and nobody dares to touch her, for fear that Mother Angenoux should cast an evil spell on them."
"How big is the Bete du bon Dieu?"
"Nearly as big as a small retriever, - a monster, I tell you. Ah! - I have asked myself more than once whether it was not her that took our poor Mademoiselle by the throat with her claws. But the Bete du bon Dieu does not wear hobnailed boots, nor fire revolvers, nor has she a hand like that!" exclaimed Daddy Jacques, again pointing out to us the red mark on the wall. "Besides, we should have seen her as well as we would have seen a man -"
"Evidently," I said. "Before we had seen this Yellow Room, I had also asked myself whether the cat of Mother Angenoux -"
"You also!" cried Rouletabille.
"Didn't you?" I asked.
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fine art oil painting
That," I said, "is why this mystery is the most surprising I know. Edgar Allan Poe, in 'The Murders in the Rue Morgue,' invented nothing like it. The place of that crime was sufficiently closed to prevent the escape of a man; but there was that window through which the monkey, the perpetrator of the murder, could slip away! But here, there can be no question of an opening of any sort. The door was fastened, and through the window blinds, secure as they were, not even a fly could enter or get out."
"True, true," assented Rouletabille as he kept on drying his forehead, which seemed to be perspiring less from his recent bodily exertion than from his mental agitation. "Indeed, it's a great, a beautiful, and a very curious mystery."
"The Bete du bon Dieu," muttered Daddy Jacques, "the Bete du bon Dieu herself, if she had committed the crime, could not have escaped. Listen! Do you hear it? Hush!"
Daddy Jacques made us a sign to keep quiet and, stretching his arm towards the wail nearest the forest, listened to something which we could not hear.
That," I said, "is why this mystery is the most surprising I know. Edgar Allan Poe, in 'The Murders in the Rue Morgue,' invented nothing like it. The place of that crime was sufficiently closed to prevent the escape of a man; but there was that window through which the monkey, the perpetrator of the murder, could slip away! But here, there can be no question of an opening of any sort. The door was fastened, and through the window blinds, secure as they were, not even a fly could enter or get out."
"True, true," assented Rouletabille as he kept on drying his forehead, which seemed to be perspiring less from his recent bodily exertion than from his mental agitation. "Indeed, it's a great, a beautiful, and a very curious mystery."
"The Bete du bon Dieu," muttered Daddy Jacques, "the Bete du bon Dieu herself, if she had committed the crime, could not have escaped. Listen! Do you hear it? Hush!"
Daddy Jacques made us a sign to keep quiet and, stretching his arm towards the wail nearest the forest, listened to something which we could not hear.
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monet painting
Rouletabille literally passed his nose and hands along the walls, constructed of solid brickwork. When he had finished with the walls, and passed his agile fingers over every portion of the yellow paper covering them, he reached to the ceiling, which he was able to touch by mounting on a chair placed on the toilette table, and by moving this ingeniously constructed stage from place to place he examined every foot of it. When he had finished his scrutiny of the ceiling, where he carefully examined the hole made by the second bullet, he approached the window, and, once more, examined the iron bars and blinds, all of which were solid and intact. At last, he gave a grunt of satisfaction and declared "Now I am at ease!"
"Well, - do you believe that the poor dear young lady was shut up when she was being murdered - when she cried out for help?" wailed Daddy Jacques.
"Yes," said the young reporter, drying his forehead, "The Yellow Room was as tightly shut as an iron safe."
Rouletabille literally passed his nose and hands along the walls, constructed of solid brickwork. When he had finished with the walls, and passed his agile fingers over every portion of the yellow paper covering them, he reached to the ceiling, which he was able to touch by mounting on a chair placed on the toilette table, and by moving this ingeniously constructed stage from place to place he examined every foot of it. When he had finished his scrutiny of the ceiling, where he carefully examined the hole made by the second bullet, he approached the window, and, once more, examined the iron bars and blinds, all of which were solid and intact. At last, he gave a grunt of satisfaction and declared "Now I am at ease!"
"Well, - do you believe that the poor dear young lady was shut up when she was being murdered - when she cried out for help?" wailed Daddy Jacques.
"Yes," said the young reporter, drying his forehead, "The Yellow Room was as tightly shut as an iron safe."
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oil painting for sale
No, there's no cellar. But that has not stopped our searching, and has not prevented the examining magistrate and his Registrar from studying the floor plank by plank, as if there had been a cellar under it."
The reporter then reappeared. His eyes were sparkling and his nostrils quivered. He remained on his hands and knees. He could not be better likened than to an admirable sporting dog on the scent of some unusual game. And, indeed, he was scenting the steps of a man, - the man whom he has sworn to report to his master, the manager of the "Epoque." It must not be forgotten that Rouletabille was first and last a journalist.
Thus, on his hands and knees, he made his way to the four corners of the room, so to speak, sniffing and going round everything - everything that we could see, which was not much, and everything that we could not see, which must have been infinite.
The toilette table was a simple table standing on four legs; there was nothing about it by which it could possibly be changed into a temporary hiding-place. There was not a closet or cupboard. Mademoiselle Stangerson kept her wardrobe at the chateau.
No, there's no cellar. But that has not stopped our searching, and has not prevented the examining magistrate and his Registrar from studying the floor plank by plank, as if there had been a cellar under it."
The reporter then reappeared. His eyes were sparkling and his nostrils quivered. He remained on his hands and knees. He could not be better likened than to an admirable sporting dog on the scent of some unusual game. And, indeed, he was scenting the steps of a man, - the man whom he has sworn to report to his master, the manager of the "Epoque." It must not be forgotten that Rouletabille was first and last a journalist.
Thus, on his hands and knees, he made his way to the four corners of the room, so to speak, sniffing and going round everything - everything that we could see, which was not much, and everything that we could not see, which must have been infinite.
The toilette table was a simple table standing on four legs; there was nothing about it by which it could possibly be changed into a temporary hiding-place. There was not a closet or cupboard. Mademoiselle Stangerson kept her wardrobe at the chateau.
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painting in oil
And then?" asked Rouletabille, deliberately laughing under the bed.
I felt rather vexed and replied:
"I don't know, - but anything appears possible" -
"The examining magistrate had the same idea, monsieur," said Daddy Jacques, "and he carefully examined the mattress. He was obliged to laugh at the idea, monsieur, as your friend is doing now, - for whoever heard of a mattress having a double bottom?"
I was myself obliged to laugh, on seeing that what I had said was absurd; but in an affair like this one hardly knows where an absurdity begins or ends.
My friend alone seemed able to talk intelligently. He called out from under the bed.
"The mat here has been moved out of place, - who did it?"
"We did, monsieur," explained Daddy Jacques. "When we could not find the assassin, we asked ourselves whether there was not some hole in the floor -"
"There is not," replied Rouletabille. "Is there a cellar?"
And then?" asked Rouletabille, deliberately laughing under the bed.
I felt rather vexed and replied:
"I don't know, - but anything appears possible" -
"The examining magistrate had the same idea, monsieur," said Daddy Jacques, "and he carefully examined the mattress. He was obliged to laugh at the idea, monsieur, as your friend is doing now, - for whoever heard of a mattress having a double bottom?"
I was myself obliged to laugh, on seeing that what I had said was absurd; but in an affair like this one hardly knows where an absurdity begins or ends.
My friend alone seemed able to talk intelligently. He called out from under the bed.
"The mat here has been moved out of place, - who did it?"
"We did, monsieur," explained Daddy Jacques. "When we could not find the assassin, we asked ourselves whether there was not some hole in the floor -"
"There is not," replied Rouletabille. "Is there a cellar?"
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contemporary abstract painting
of marrying her. In spite of the fact that she has become, as the phrase goes, "a person of a certain age," she was still remarkably good-looking. While I was dressing I called out to Rouletabille, who was impatiently moving about my sitting-room:
"Have you any idea as to the murderer's station in life?"
"Yes," he replied; "I think if he isn't a man in society, he is, at least, a man belonging to the upper class. But that, again, is only an impression."
"What has led you to form it?"
"Well, - the greasy cap, the common handkerchief, and the marks of the rough boots on the floor," he replied.
"I understand," I said; "murderers don't leave traces behind them which tell the truth."
"We shall make something out of you yet, my dear Sainclair," concluded Rouletabille
of marrying her. In spite of the fact that she has become, as the phrase goes, "a person of a certain age," she was still remarkably good-looking. While I was dressing I called out to Rouletabille, who was impatiently moving about my sitting-room:
"Have you any idea as to the murderer's station in life?"
"Yes," he replied; "I think if he isn't a man in society, he is, at least, a man belonging to the upper class. But that, again, is only an impression."
"What has led you to form it?"
"Well, - the greasy cap, the common handkerchief, and the marks of the rough boots on the floor," he replied.
"I understand," I said; "murderers don't leave traces behind them which tell the truth."
"We shall make something out of you yet, my dear Sainclair," concluded Rouletabille
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China oil paintings
But in what way can I be of any use to you?"
"Monsieur Robert Darzac is at the Chateau du Glandier."
"That's true. His despair must be boundless."
"I must have a talk with him."
Rouletabille said it in a tone that surprised me.
"Is it because - you think there is something to be got out of him?" I asked.
"Yes."
That was all he would say. He retired to my sitting-room, begging me to dress quickly.
I knew Monsieur Robert Darzac from having been of great service to him in a civil action, while I was acting as secretary to Maitre Barbet Delatour. Monsieur Robert Darzac, who was at that time about forty years of age, was a professor of physics at the Sorbonne. He was intimately acquainted with the Stangersons, and, after an assiduous seven years' courtship of the daughter, had been on the point of marrying her. In spite of the fact that she has become, as the phrase goes, "a person of a certain age," she was still remarkably good-looking. While I was dressing I called out to Rouletabille, who was impatiently moving about my sitting-room:
But in what way can I be of any use to you?"
"Monsieur Robert Darzac is at the Chateau du Glandier."
"That's true. His despair must be boundless."
"I must have a talk with him."
Rouletabille said it in a tone that surprised me.
"Is it because - you think there is something to be got out of him?" I asked.
"Yes."
That was all he would say. He retired to my sitting-room, begging me to dress quickly.
I knew Monsieur Robert Darzac from having been of great service to him in a civil action, while I was acting as secretary to Maitre Barbet Delatour. Monsieur Robert Darzac, who was at that time about forty years of age, was a professor of physics at the Sorbonne. He was intimately acquainted with the Stangersons, and, after an assiduous seven years' courtship of the daughter, had been on the point of marrying her. In spite of the fact that she has become, as the phrase goes, "a person of a certain age," she was still remarkably good-looking. While I was dressing I called out to Rouletabille, who was impatiently moving about my sitting-room:
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wholesale oil painting
Then the wound on the temple was not done with the revolver?"
"The paper doesn't say it was, and I don't think it was; because logically it appears to me that the revolver was used by Mademoiselle Stangerson against the assassin. Now, what weapon did the murderer use? The blow on the temple seems to show that the murderer wished to stun Mademoiselle Stangerson, - after he had unsuccessfully tried to strangle her. He must have known that the attic was inhabited by Daddy Jacques, and that was one of the reasons, I think, why he must have used a quiet weapon, - a life-preserver, or a hammer."
"All that doesn't explain how the murderer got out of The Yellow Room," I observed.
"Evidently," replied Rouletabille, rising, "and that is what has to be explained. I am going to the Chateau du Glandier, and have come to see whether you will go with me."
"I?" -
"Yes, my boy. I want you. The 'Epoque' has definitely entrusted this case to me, and I must clear it up as quickly as possible."
Then the wound on the temple was not done with the revolver?"
"The paper doesn't say it was, and I don't think it was; because logically it appears to me that the revolver was used by Mademoiselle Stangerson against the assassin. Now, what weapon did the murderer use? The blow on the temple seems to show that the murderer wished to stun Mademoiselle Stangerson, - after he had unsuccessfully tried to strangle her. He must have known that the attic was inhabited by Daddy Jacques, and that was one of the reasons, I think, why he must have used a quiet weapon, - a life-preserver, or a hammer."
"All that doesn't explain how the murderer got out of The Yellow Room," I observed.
"Evidently," replied Rouletabille, rising, "and that is what has to be explained. I am going to the Chateau du Glandier, and have come to see whether you will go with me."
"I?" -
"Yes, my boy. I want you. The 'Epoque' has definitely entrusted this case to me, and I must clear it up as quickly as possible."
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claude monet impressionism painting
Nothing, - I have found the whole of the story it tells equally strange."
"Well, but - the locked door - with the key on the inside?"
"That's the only perfectly natural thing in the whole article."
"Really! - And the bolt?"
"The bolt?"
"Yes, the bolt - also inside the room - a still further protection against entry? Mademoiselle Stangerson took quite extraordinary precautions! It is clear to me that she feared someone. That was why she took such precautions - even Daddy Jacques's revolver - without telling him of it. No doubt she didn't wish to alarm anybody, and least of all, her father. What she dreaded took place, and she defended herself. There was a struggle, and she used the revolver skilfully enough to wound the assassin in the hand - which explains the impression on the wall and on the door of the large, blood-stained hand of the man who was searching for a means of exit from the chamber. But she didn't fire soon enough to avoid the terrible blow on the right temple."
Nothing, - I have found the whole of the story it tells equally strange."
"Well, but - the locked door - with the key on the inside?"
"That's the only perfectly natural thing in the whole article."
"Really! - And the bolt?"
"The bolt?"
"Yes, the bolt - also inside the room - a still further protection against entry? Mademoiselle Stangerson took quite extraordinary precautions! It is clear to me that she feared someone. That was why she took such precautions - even Daddy Jacques's revolver - without telling him of it. No doubt she didn't wish to alarm anybody, and least of all, her father. What she dreaded took place, and she defended herself. There was a struggle, and she used the revolver skilfully enough to wound the assassin in the hand - which explains the impression on the wall and on the door of the large, blood-stained hand of the man who was searching for a means of exit from the chamber. But she didn't fire soon enough to avoid the terrible blow on the right temple."
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acrylic flower painting
guilty from conviction; but if you were a magistrate on the bench, how easy it would be for you to condemn innocent persons! - You are really gifted, young man!"
He continued to smoke energetically, and then went on:
"No trap will be found, and the mystery of The Yellow Room will become more and more mysterious. That's why it interests me. The examining magistrate is right; nothing stranger than this crime has ever been known."
"Have you any idea of the way by which the murderer escaped?" I asked.
"None," replied Rouletabille - "none, for the present. But I have an idea as to the revolver; the murderer did not use it."
"Good Heavens! By whom, then, was it used?"
"Why - by Mademoiselle Stangerson."
"I don't understand, - or rather, I have never understood," I said.
Rouletabille shrugged his shoulders.
"Is there nothing in this article in the 'Matin' by which you were particularly struck?"
guilty from conviction; but if you were a magistrate on the bench, how easy it would be for you to condemn innocent persons! - You are really gifted, young man!"
He continued to smoke energetically, and then went on:
"No trap will be found, and the mystery of The Yellow Room will become more and more mysterious. That's why it interests me. The examining magistrate is right; nothing stranger than this crime has ever been known."
"Have you any idea of the way by which the murderer escaped?" I asked.
"None," replied Rouletabille - "none, for the present. But I have an idea as to the revolver; the murderer did not use it."
"Good Heavens! By whom, then, was it used?"
"Why - by Mademoiselle Stangerson."
"I don't understand, - or rather, I have never understood," I said.
Rouletabille shrugged his shoulders.
"Is there nothing in this article in the 'Matin' by which you were particularly struck?"
Sunday, May 11, 2008
african art painting
african art painting
Pinocchio returns to the Fairy's house and she promises him that, on the morrow, he will cease to be a Marionette and become a boy. A wonderful party of coffee-and-milk to celebrate the great event
Mindful of what the Fisherman had said, Pinocchio knew that all hope of being saved had gone. He closed his eyes and waited for the final moment.
Suddenly, a large Dog, attracted by the odor of the boiling oil, came running into the cave.
"Get out!" cried the Fisherman threateningly and still holding onto the Marionette, who was all covered with flour.
But the poor Dog was very hungry, and whining and wagging his tail, he tried to say:
"Give me a bite of the fish and I'll go in peace."
"Get out, I say!" repeated the Fisherman.
And he drew back his foot to give the Dog a kick.
Then the Dog, who, being really hungry, would take no refusal, turned in a rage toward the Fisherman and bared his terrible fangs. And at that moment, a pitiful little voice was heard saying: "Save me, Alidoro; if you don't, I fry!"
The Dog immediately recognized Pinocchio's voice. Great was his surprise to find that the voice came from the little flour-covered bundle that the Fisherman held in his hand.
Pinocchio returns to the Fairy's house and she promises him that, on the morrow, he will cease to be a Marionette and become a boy. A wonderful party of coffee-and-milk to celebrate the great event
Mindful of what the Fisherman had said, Pinocchio knew that all hope of being saved had gone. He closed his eyes and waited for the final moment.
Suddenly, a large Dog, attracted by the odor of the boiling oil, came running into the cave.
"Get out!" cried the Fisherman threateningly and still holding onto the Marionette, who was all covered with flour.
But the poor Dog was very hungry, and whining and wagging his tail, he tried to say:
"Give me a bite of the fish and I'll go in peace."
"Get out, I say!" repeated the Fisherman.
And he drew back his foot to give the Dog a kick.
Then the Dog, who, being really hungry, would take no refusal, turned in a rage toward the Fisherman and bared his terrible fangs. And at that moment, a pitiful little voice was heard saying: "Save me, Alidoro; if you don't, I fry!"
The Dog immediately recognized Pinocchio's voice. Great was his surprise to find that the voice came from the little flour-covered bundle that the Fisherman held in his hand.
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fine art oil painting
promise! I promise! Only hurry, for if you wait another second, I'll be dead and gone!"
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Pinocchio hesitated still another minute. Then, remembering how his father had often told him that a kind deed is never lost, he swam to Alidoro and, catching hold of his tail, dragged him to the shore.
The poor Dog was so weak he could not stand. He had swallowed so much salt water that he was swollen like a balloon. However, Pinocchio, not wishing to trust him too much, threw himself once again into the sea. As he swam away, he called out:
"Good-by, Alidoro, good luck and remember me to the family!"
"Good-by, little Pinocchio," answered the Dog. "A thousand thanks for having saved me from death. You did me a good turn, and, in this world, what is given is always returned. If the chance comes, I shall be there."
Pinocchio went on swimming close to shore. At last he thought he had reached a safe place. Glancing up and down the beach, he saw the opening of a cave out of which rose a spiral of smoke.
"In that cave," he said to himself, "there must be a fire. So much the better. I'll dry my clothes and warm myself, and then--well--"
His mind made up, Pinocchio swam to the rocks, but as he started to climb, he felt something under him lifting him up higher and higher. He tried to escape, but he was too late. To his great surprise, he found himself in a huge net, amid a crowd of fish of all kinds and sizes, who were fighting and struggling desperately to free themselves.
promise! I promise! Only hurry, for if you wait another second, I'll be dead and gone!"
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Pinocchio hesitated still another minute. Then, remembering how his father had often told him that a kind deed is never lost, he swam to Alidoro and, catching hold of his tail, dragged him to the shore.
The poor Dog was so weak he could not stand. He had swallowed so much salt water that he was swollen like a balloon. However, Pinocchio, not wishing to trust him too much, threw himself once again into the sea. As he swam away, he called out:
"Good-by, Alidoro, good luck and remember me to the family!"
"Good-by, little Pinocchio," answered the Dog. "A thousand thanks for having saved me from death. You did me a good turn, and, in this world, what is given is always returned. If the chance comes, I shall be there."
Pinocchio went on swimming close to shore. At last he thought he had reached a safe place. Glancing up and down the beach, he saw the opening of a cave out of which rose a spiral of smoke.
"In that cave," he said to himself, "there must be a fire. So much the better. I'll dry my clothes and warm myself, and then--well--"
His mind made up, Pinocchio swam to the rocks, but as he started to climb, he felt something under him lifting him up higher and higher. He tried to escape, but he was too late. To his great surprise, he found himself in a huge net, amid a crowd of fish of all kinds and sizes, who were fighting and struggling desperately to free themselves.
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van gogh painting
Pinocchio runs the danger of being fried in a pan like a fish
During that wild chase, Pinocchio lived through a terrible moment when he almost gave himself up as lost. This was when Alidoro (that was the Mastiff's name), in a frenzy of running, came so near that he was on the very point of reaching him.
The Marionette heard, close behind him, the labored breathing of the beast who was fast on his trail, and now and again even felt his hot breath blow over him.
Luckily, by this time, he was very near the shore, and the sea was in sight; in fact, only a few short steps away.
As soon as he set foot on the beach, Pinocchio gave a leap and fell into the water. Alidoro tried to stop, but as he was running very fast, he couldn't, and he, too, landed far out in the sea. Strange though it may seem, the Dog could not swim. He beat the water with his paws to hold himself up, but the harder he tried, the deeper he sank. As he stuck his head out once more, the poor fellow's eyes were bulging and he barked out wildly, "I drown! I drown!"
"Drown!" answered Pinocchio from afar, happy at his escape.
"Help, Pinocchio, dear little Pinocchio! Save me from death!"
At those cries of suffering, the Marionette, who after all had a very kind heart, was moved to compassion. He turned toward the poor animal and said to him:
"But if I help you, will you promise not to bother me again by running after me?"
Pinocchio runs the danger of being fried in a pan like a fish
During that wild chase, Pinocchio lived through a terrible moment when he almost gave himself up as lost. This was when Alidoro (that was the Mastiff's name), in a frenzy of running, came so near that he was on the very point of reaching him.
The Marionette heard, close behind him, the labored breathing of the beast who was fast on his trail, and now and again even felt his hot breath blow over him.
Luckily, by this time, he was very near the shore, and the sea was in sight; in fact, only a few short steps away.
As soon as he set foot on the beach, Pinocchio gave a leap and fell into the water. Alidoro tried to stop, but as he was running very fast, he couldn't, and he, too, landed far out in the sea. Strange though it may seem, the Dog could not swim. He beat the water with his paws to hold himself up, but the harder he tried, the deeper he sank. As he stuck his head out once more, the poor fellow's eyes were bulging and he barked out wildly, "I drown! I drown!"
"Drown!" answered Pinocchio from afar, happy at his escape.
"Help, Pinocchio, dear little Pinocchio! Save me from death!"
At those cries of suffering, the Marionette, who after all had a very kind heart, was moved to compassion. He turned toward the poor animal and said to him:
"But if I help you, will you promise not to bother me again by running after me?"
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