famous art painting
Rouletabille looked at me pityingly, smiled carelessly, and remarked that I was reasoning like a postman, or - like Frederic Larsan.
Rouletabille had alternate fits of admiration and disdain for the great Fred. It all depended as to whether Larsan's discoveries tallied with Rouletabille's reasoning or not. When they did he would exclaim: "He is really great!" When they did not he would grunt and mutter, "What an ass!" It was a petty side of the noble character of this strange youth.
We had risen, and he led me into the park. When we reached the court and were making towards the gate, the sound of blinds thrown back against the wall made us turn our heads, and we saw, at a window on the first floor of the chateau, the ruddy and clean shaven face of a person I did not recognise.
"Hullo!" muttered Rouletabille. "Arthur Rance!" - He lowered his head, quickened his pace, and I heard him ask himself between his eeth: "Was he in the chateau that night? What is hedoing here?"
We had gone some distance from the chateau when I asked him who this Arthur Rance was, and how he had come to know him. He referred to his story of that morning and I remembered that Mr. Arthur W. Rance was the American from Philadelphia with whom he had had so many drinks at the Elysee reception.
Wednesday, May 14, 2008
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